MISSING: SUNDANCE TICKETS AND A GAS CAP


It’s just not my day.

 

1. I helped throw a baby shower at work and the gift I ordered on behalf of everyone didn’t arrive until after the shower. Oh, and the cake I ordered said ‘Happy Birthday’ instead of ‘Congratulations.’

 

2. I waited patiently during my allotted half hour time slot both online and on the phone to try to get tickets to any Sundance films, but the website crashed repeatedly and I was left on hold for an hour.  If you need me next weekend, I’ll be the one standing outside in 20 degree weather in front of the theaters all day, hoping that someone has single tickets to spare.  While attempting to stave off the inevitable frozen ears and toes with entirely too many cups of hot coffee, I will take mental notes and try to blog each night about my Sundance experiences (since I may not be able to provide any actual movie reviews).  



 

3. After filling up my car with gas tonight, I drove off with the gas tank door ajar and the cap still atop my roof. Now the cap is on the side of the freeway somewhere. I realized this after I’d arrived back home. Dumbass.



 

It’s just not my day.  

 

Now if you’ll excuse me, I’ll take the pity party offline. I shall return with reviews of Dreamgirls,The Pursuit of Happyness and a belated word or two about The Holiday.

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BRIEF BIRTHDAY BLOG


It’s my birthday and I’ll blog if I want to. Or however the song goes.

 

I am tired (and a tad tipsy, truth be told), so this will be short and sweet.

 

Much to my surprise and great joy, I arrived home to a wrapped gift that looked suspiciously like a DVD box set. The new Superman Ultimate Collector’s Edition box set. It has topped my Amazon Wish List for months now, because it includes all of the movies in the franchise including Superman Returns, plus the new Richard Donner cut of Superman II and 20 hours of bonus features! The thing is a beast; 14 DVDs safely housed in a silver tin with the unmistakable S logo embossed on the cover. And I am in heaven. 

                        

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LITTLE CHILDREN


Yesterday I saw Little Children, which is easily one of my favorite new films of the last few years. But before I get to the actual review, I wanted to provide an image to accompany the article; my first blog photo! Ok, so I’m about 5 years behind the curve when it comes to blog technology and style, but one of the changes I’m instituting on my blog in 2007 is the addition of photos.

 

When actor Patrick Wilson first appeared on screen in Little Children, here is the visual that popped into the invisible bubble above my head:

This is how my brain operates; almost everyone has a celebrity look-a-like, and I spend entirely too much time contemplating just that.

 

Anyway, back to the movie review.

 

I not only loved this film, I was haunted by it. There are some serious and interesting moral dilemmas that unfold in very uncomfortable ways, which made every single person in the audience squirm and/or fidget at some point during the movie.  Director Todd Field has an eye for the intense unraveling of seemingly idyllic suburban life; domestic turmoil was also prevalent in his previous effort, In the Bedroom. The script is spot-on, which is no surprise given that the screenplay was by co-written by Tom Perrotta, who also wrote the brilliant Election.  The tone and spirit of Little Children reminded me of American Beauty, which is another plus in my book.  

 

It is no secret that Kate Winslet is one of my favorite actresses ever. I know I’m not the first person to assert that she should be nominated for Best Actress for her role in Little Children, nor will I be the only one to state that this is her best role yet. Winslet has already been nominated four times before the age of 30, an Academy Awards record. But she is simply extraordinary in this movie; one of the very few who can transform before our very eyes, with great success, from British movie star to drab American housewife. Above and beyond the dialect and dialogue, Winslet is all eyes and facial expression; every detail you need to know about her character lives there. This role was a daring and challenging choice, as Winslet’s character in the film is a far cry from Mother of the Year, in direct opposition to her real life as a happy young mom of two.

 

I’ve heard great reviews about Helen Mirren in The Queen, which I will see this weekend, but in my opinion Winslet gives the performance of the year and of her career in Little Children.      

 

With all of the buzz about Winslet, I completely forgot that Jennifer Connelly was also in the movie. Her role is quite small in comparison, and could have been filled by an actress without a Best Supporting Actress statue, to be honest.  In an interesting casting note, Jackie Earle Haley (the original Kelly Leak in 1976’s Bad News Bears and Moocher in 1979’s  Breaking Away) makes a comeback of sorts in Little Children, playing a very pivotal and controversial character – a convicted sex offender. He also appeared in All the King’s Men last yearwhich is on my DVD rental list despite widespread critical panning.

 

Go see Little Children now, while it is still playing in limited release at theatres in major cities. Come Oscar time, you won’t regret it.

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SUNDANCE, HERE I COME!


I may not have tickets, and I may not own enough layers to keep me warm while star gazing in the snow, but I am indeed going to the 2007 Sundance Film Festival next month! Booked my flights, hotel and SUV, and keeping my fingers crossed for the opportunity to purchase tickets for at least one film…or for a kind soul with connections to make this small-time blogger’s dream come true.

 

If any of you have cool friends or family in Park City, Salt Lake City or Ogden, let me know! They are eligible to participate in the ‘Locals Weekend Advance Ticket Sales’ in a few weeks. I’d be willing to barter something special in exchange for their assistance.

 

In case you’re interested, here is a list of the films that will be debuting at Sundance in January:

http://festival.sundance.org/filmguide/

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QUICK PICKS: BEST FILMS/TV SHOWS/MUSIC/PODCASTS OF ’06


Here are my Best and Worst Pop Culture Picks for 2006:

 

BIG SCREEN

 

FAVORITE FILMS

The Departed

The Devil Wears Prada

Inside Man

Little Miss Sunshine

The Prestige

Superman Returns

Thank You for Smoking

V for Vendetta

 

RUNNERS-UP        

Cars

Hollywoodland

The Illusionist

Scoop

X-Men: The Last Stand

 

STRANGEST FILMS of ‘06

The Fountain

Running with Scissors

 

MOVIES I STILL MUST SEE

Babel

Bobby

Little Children

Notes on a Scandal

The Queen

 

SMALL SCREEN

 

TOP CABLE TV SERIES

Deadwood

Dexter

Entourage

Rescue Me

The Sopranos

Weeds

 

TOP NETWORK TV SERIES

Alias (RIP)

Arrested Development (RIP)

Bones

Brothers & Sisters

Friday Night Lights

Grey’s Anatomy

Heroes

Lost
Medium

The Office

Scrubs

Studio 60 on the Sunset Strip

 

TOP REALITY SHOWS

Project Runway

Top Chef

 

SHOWS I ABANDONDED

The Amazing Race  

Desperate Housewives  

Survivor

Ugly Betty

 

MUSIC

 

GUILTY PLEASURE POP SONGS of ‘06

Nelly Furtado – Maneater

Scissor Sisters – I Don’t Feel Like Dancin’

Gwen Stefani – Wind it Up

Justin Timberlake – Sexyback

 

BEST ALBUMS

Christina Aguilera – Back to Basics

Pink – I’m Not Dead

Red Hot Chili Peppers – Stadium Arcadium

 

LEAST FAVORITE SONG of ‘06

Waiting on the World to Change – John Mayer

(yikes, yawn, yuck)

 

PODCASTS

 

BEST PODCASTS ON iTUNES

The 10th Wonder Podcast – NBC Heroes

All-TIME 100 Albums Podcast

Grey’s Anatomy Official Podcast

The LOST Podcast with Jay and Jack

NPR: All Songs Considered

The Official LOST Podcast

TV Guide Talk

USA Today’s Pop Candy

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RETRO REWIND & REVIEW: NETWORK (1976)


There are some classics that I am embarrassed to admit I have never seen. Network is one such movie. So I rented it recently, and found this 1977 nominee for Best Picture to be extraordinarily relevant. From FCC censorship to corporate ties to the Middle East, to the political and financial underpinnings of large-scale mergers that directly affect network television programming, this film exposes the power of the media decades before we were aware of such possibilities.  Network also introduces the concept of Reality TV for what must have been the first time on the big screen, exploiting a celebrity for ratings while producers get rich and a man’s life becomes a train wreck for the world to observe.

 

The script, for which Paddy Chayefsky won Best Screenplay, is phenomenal. And the kind of performance that Peter Finch delivers is unparalleled in contemporary film; these days whoever filled that role would be accused of overacting.  Faye Dunaway is also amazing, an absolutely ruthless television producer that probably exists in one form or another at any given network today. I found myself pondering a remake, and pictured one scripted by Aaron Sorkin, directed by George Clooney and starring Annette Bening.  A girl can dream.

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