Dear Mr.
Milch: 

Deadwood
is easily one of my favorite shows of all time. As a matter of fact, we are
re-watching all three seasons right now, keeping a chart for the use of the
work c*cksucker. That is actually how we refer to the show (i.e. “Hey, let’s watch
the third episode of C*cksucker after dinner tonight.”).

It is a
well-documented fact that you are a genius. But John From Cincinnati was a
colossal failure.  You should have
christened it Driftwood, because it will forever be known as the The Show That
Killed Deadwood.  You had to know that
regardless of the fact that your new series was nothing like Deadwood it would
forever be compared to it. The nail in the coffin is that you killed a
brilliant show, only to replace it with a far inferior product.

I
understand that John From Cincinnati was your baby, your dream project. Wait…no
I don’t. Did you initially only envision three seasons of Deadwood, or did you
end that series in order to get John From Cincinnati on the air?

I loved
NYPD Blue, which you created and wrote almost every episode of.  Those characters, in that setting, speaking
your language? Amazing. And your Shakespearean dialogue worked brilliantly on
Deadwood. But it simply distracted from the actors, story and cinematography on
John From Cincinnati.   

It seems
as if this was your recipe for a 10-episode bucket of JFC:

• Add: 6 recycled
  actors from Deadwood
• Toss in: 6
  sentimental favorites from the 70’s, 80’s & 90’s (Luke Perry from Beverly
  Hills 90210, Ed O’Neill from Married with Children, Mark-Paul Gosselaar from
  Saved by the Bell, Jennifer Grey from Dirty Dancing, Rebecca De Mornay from
  Risky Business, and [with a wink wink/nudge nudge] Howard Hesseman from WKRP
  in…Cincinnati)
• Mix in: 1
  real-life world champion surfer chick (Keala Kennelly)
• Spice it up
  with: 2 seasoned character actors (Bruce Greenwood; Double Jeopardy & I,
  Robot) and (Luis Guzmán; Traffic & Magnolia)
• Sauté all into
  the most bizarre television show scenario ever

To be
frank, the six actors from Deadwood served as painful, frustrating visual reminders
of what we’re missing.

Mr. Milch,
I am an educated viewer, fully and willingly able to suspend my disbelief. I am
currently obsessed with a show where the villain is a moody cloud of black
smoke, for crying out loud. And I love the supernatural more than most (hello,
my cats are named Mulder & Scully). But in my opinion, John From Cincinnati
introduced and crammed far too many elements before allowing the series to
simmer.

John from Cincinnati = Jesus
Christ?

I am
convinced that the religious angle of the show was one of the strongest paths to
its demise. If I had to guess, I would venture that most of us who tuned in to
your new show were Deadwood fans; people who were acclimated to and enjoyed the
sex, violence and foul language for three seasons, and who would not
necessarily label themselves as devout or particularly religious. And we were
more than familiar with your favorite themes of redemption and salvation. But
to presume that we would view John as a living, breathing,
surfing incarnation of Jesus Christ was a stretch and a risk.

You don’t
need to redeem yourself. You’re David bleeping Milch. But when I read that you
are already planning a new series about a police drama set in the Vietnam war
era, I reacted with mixed feelings. On one hand, you have proven with both Hill
Street Blues and NYPD Blue that you bleed law enforcement blue, but on the
other hand…it is a sign that those long-overdue Deadwood movies may never get
made.

When John
From Cincinnati was canceled, I was relieved. You might argue that at least I
watched all ten episodes, but now I have that one hour a week back to spend
watching something that doesn’t make me scream at the television in anger and
disbelief.  

- Jo

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According to TV Guide’s Michael Ausiello, actor Ken Leung will be joining the cast of Lost next season. His most recent and memorable role was as Uncle Junior’s cohort in the mental institution on The Sopranos.

Leung was Kid Omega in X-Men: The Last Stand, and his recent credits include the films Inside Man, The Squid & The Whale, and Saw.

In other Lost casting news, Veronica Mars herself, Kristin Bell, was also invited to become a cast member on Lost in Season 4, but apparently she turned down the opportunity because of location. Rather than relocate to Hawaii, she chose New York, where she will appear on Broadway in 2008. Interesting choice…

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You know how clown dolls are scary and you fear that they’ll come alive, like the possessed one in Poltergeist II? Yeah, that’s how I feel about John Travolta in drag. Nightmares. They shall follow.

Hairspray was not my first choice to see as a matinee, but it wasn’t my turn to choose. As it turns out, I enjoyed it far more than I expected…except for Travolta. He was distracting and creepy as a woman. Which isn’t really surprising; he can be that way as a man.

Screenwriter Leslie Dixon is no stranger to camp, drag, comedy or even Travolta; she also penned Mrs. Doubtfire and Look Who’s Talking Now. Hairspray was produced by Chicago‘s executive producers Neil Meron and Craig Zadan.

I’m not one to recap an entire film or give anything away. I tend to just provide my opinion and cut to the chase. Here are the highlights from Hairspray:

Michelle Pfeiffer. She vamps her way through the movie, and steals every scene she appears in. Welcome back, Mrs. David E. Kelly. I might actually see Stardust now. And bring on I Could Never Be Your Woman (an Amy Heckerling film co-starring Paul Rudd, out in November; no trailer available yet).

James Marsden. Yes, it’s true. He of the wooden demeanor (see: all 3 X-Men films, Superman Returns, The Notebook) knocks this one out of the park as the cheesy American Bandstand-type host of a popular teen dance show.

Brittany Snow. Although her role in Hairspray resembles her character Meg on American Dreams, she kicks it up a notch and plays bitchy quite well. Those of us who witnessed her disconcerting stint as a neo-Nazi high school student on Nip/Tuck a few seasons ago recognize that there is far more to her golden image than meets the eye. I hope she takes on more glamour-free roles in the near future.

Queen Latifah. She’s pretty damn good in just about anything, even those clunkers that are best viewed on rainy Sunday afternoons (Last Holiday, anyone?). Just as in Chicago, the woman simply commands the screen and sings the hell out of every showtune.

Zac Efron. Okay, so I haven’t seen High School Musical 1 or 2, but he plays the young heartthrob with as much energy as…a young Travolta in Grease. I was pleasantly surprised by his performance.

Elijah Kelley. I had never heard of him. His only notable credit before Hairspray was last year’s Take the Lead, and that has yet to hit my TiVo. But the guy can flat-out dance.

Nikki Blonsky. It is hard to believe that this was her first film. She was born in 1988, the year that John Waters’ original Hairspray was released, and she more than filled the lead role that Ricki Lake mastered almost 20 years ago – she nailed it. Lake has a blink-and-you’ll-miss-it cameo in this version, as a talent agent.

Hairspray also features Amanda Bynes, Allison Janney and Christopher Walken.

I do have to say that although I enjoyed it in the theater, I would relegate Hairspray as a rental.

And for what it’s worth, this is how I prefer Travolta and Walken.

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I am
headed to Alaska
in a few weeks, so I’ve been doing my usual vacation pre-production (packing
lists, itineraries, reservations, maps & guidebooks). Don’t laugh; in my
experience, the more prepared you are in advance, the more relaxed you’ll be when
the time comes. Anyway, I’ve been thinking about the Alaska that I know…from TV shows and in
movies, of course.

I watched
the first season of Men in Trees, but as much as I enjoy the show, I just can’t
get past Anne Heche. Her fair-weather days with Ellen and current relationship
with her Men in Trees co-star totally affect my opinion of her as an actress. Regardless,
the series features Alaska quite prominently,
and the fictional small town of Elmo
is almost a character itself. I never watched Northern Exposure regularly, but
I’m certainly familiar with pseudo-city Cicely,
Alaska as well.

There
have been many movies that take place in Alaska,
but I’ve only seen a handful. And looking at this list…none were that
successful or memorable.

30 Days
of Night (2007)
Will be
released in October 2007. No thanks: it’s a vampire movie, and it stars Josh
Hartnett. 

Alaska (1996)
Stars a
very young Thora Birch (American Beauty) and Vincent Kartheiser (Mad Men)

Alaska: Spirit of the Wild (1997)
An
Oscar-nominated documentary short film.

Balto
(1995)
Animated
movie voiced by Kevin Bacon, Bob Hoskins, Bridget Fonda…and Phil Collins.

The Edge
(1997)
An
unbelievably bad film, considering the screenwriter (David Mamet) and cast
(Anthony Hopkins, Alec Baldwin). Wait, I take that back. The female lead was
supermodel Elle McPherson.

The Gold
Rush (1925)
Written,
directed and starring Charlie Chaplin.

Grizzly
Man (2005)
Controversial
documentary from writer/director Warner Herzog; the bear activists in the film died
after being attacked by a bear while living in Alaska.

Insomnia
(2002)
Psychological
thriller starring Oscar winners Al Pacino, Robin Williams and Hilary Swank.
Director Chris Nolan’s follow-up to Memento. Underrated. Add it to your Netflix
queue.

Limbo
(1999)
From
writer/director John Sayles. Starring Mary Elizabeth Mastrantonio, David
Strathairn and Kris Kristofferson.

Mystery, Alaska (1999)
Entertaining hockey
comedy written by TV producer/writer David E. Kelley (Boston Legal, The
Practice, Ally McBeal, Chicago Hope). Great cast, including Russell Crowe, Hank
Azaria and Burt Reynolds.

Never Cry
Wolf (1983)
Disney
film about government researcher who bonds with wolves. Starring Charles Martin
Smith and Brian Dennehy.

Runaway
Train (1985)
Random
but true facts about this film: Jon Voight received a nomination for Best Actor,
and Eric Roberts was nominated for Best Supporting Actor. Really? Wow.

Salmonberries
(1991)
A very
slow but beautifully filmed movie notable only for the lead performance by kd
lang.

The
Simpsons Movie (2007)
Ok, so
the family only moves there briefly. But even in the seemingly archaic style of The
Simpsons animation, Alaska
looked appealing and fun.

Snow Dogs
(2002)
Oh Cuba Gooding
Jr. You won the Oscar for Jerry Maguire and stole the show in As Good as It
Gets. How do you explain Chill Factor? Rat Race? Boat Trip? As for this one…at
least the sled dogs are cute. I mean, they have to share the screen with Thong
Song master Sisqo and Michael Bolton. So there’s that.

White
Fang (1991)
Disney’s
take on Jack London’s classic. Starring a young Ethan Hawke.

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Sixteen years ago this month, I was unpacking boxes in my dorm room on the first day of college when a guy with long hair in a ponytail appeared in my doorway to chat. He was very friendly and funny, and my polar opposite – a boarding school kid from the East Coast. Although he started out as my next-door neighbor, we wound up living together for most of the next three years. Long story short, he began to date my roommate almost immediately. They have been together ever since.

His name is Matt Nathanson. And outside of family, he has been the most influential person in my life for the past 16 years. Immensely talented and musically gifted, Matt has been an inspiration to be around, as well as a very good friend. Throughout my many professional and personal endeavors, he has encouraged me to set my sights high and follow through with what I aspire to be and do. Truthfully, Matt is the reason I began to blog, and his ongoing music education has contributed to the success I’ve had at my current job.

And now Matt has graciously provided me with the opportunity to officially interview him for this Blog, as he celebrates the release of his new album.

If you haven’t heard of Matt Nathanson yet, you will soon enough. His new CD, Some Mad Hope, is out TODAY on Vanguard Records, available in stores, online and on iTunes. Matt will be embarking on a national fall tour in support of the new album beginning next month.

Before we get started with the interview, here are the essentials for you to read and watch:

MATT FACTS
Born and raised in Lexington, MA. Went to Proctor Academy in New Hampshire. Graduated from Pitzer College in Claremont, CA. Currently resides in San Francisco with his wife and cat.

QUICK DISCOGRAPHY
1993 – Please
1997 – Ernst
1998 – Not Colored Too Perfect
2001 – Still Waiting for Spring
2002 – When Everything Meant Everything (EP)
2003 – Beneath These Fireworks
2006 – At the Point
2007 – Some Mad Hope

LISTEN ONLINE NOW ON VH1.COM

ORDER THE NEW CD

BEHIND-THE-SCENES VIDEO: THE MAKING OF SOME MAD HOPE

OTHER ESSENTIAL VIDEOS

Appearance on CBS’ The Saturday Early Show

Live version of All We Are

Live version of Car Crash

Singing ‘Kid Fears’ live with the Indigo Girls

TOUR DATES & MORE INFORMATION

And now, on to the interview…

Jo: How old were you when you received or bought you first guitar? What was its life span?

Matt: I was in 5th grade.  My mother bought me a K-shaped, candy apple red Ibanez guitar. I had it until senior year in college, when I sold it to buy a Telecaster. I’ve regretted it every day since. 

Jo: Where/when was the very first time you took the stage to perform?

Matt: I had been in school plays since I was a wee lad. But the first time I ever really performed was in 6th grade, at a talent show called ‘The Big Event.’ I had a band called ‘One Way Out’ and we played a Police song and a Beatles song.

Jo: How old were you when you wrote your first song? What was it called?

Matt: I was in 7th grade. The song was called “It Was Only a Dream,” and it was awful. I played it at ‘The Big Event II.’

Jo: What was the first concert you attended?

Matt: J. Geils Band at the Boston Garden. I was in 3rd grade, and went with my student teacher, who I was totally in love with. It was unrequited.

Jo: What is the story behind the title Some Mad Hope?

Matt: I was watching the movie 300 and the main character said it as he led his troops to their death. I though it fit my life perfectly.

Jo: How long, from start to finish, did it take you to complete Some Mad Hope?

Matt: I think just over 3 years. We (co-writer Mark and I) wrote the first version of ‘Come On Get Higher’ in 2004.

Jo: How did you wind up with Vanguard as your new record label?

Matt: I was really wary of signing with another major label after my stint on Universal. Vanguard were just hands down the best indie option I had. They are super enthusiastic, music nerds…and I felt an immediate kinship.

Jo: At what point did you decide that the album cover/art work wouldn’t feature photos of you?

Matt: I have never really been into the idea of having my picture on the cover. I feel like an album cover should help tell the story, help set the mood. I’m still a huge believer in a record being a whole experience, not just a collection of songs. And the cover is crucial to that experience.

Jo: From the cover art to the lyrics, this album seems more personal and exposes a darker perspective/outlook than albums past. Would you agree?

Matt: Maybe. The songs on this record follow me through a pretty serious realization that I had in my personal life. And it was pretty heavy shit…so yeah, I guess it’s heavy, but not necessarily darker.

Jo: Will ‘Car Crash’ be your first mainstream music video? Do you have an idea when it will debut, and if it will be on iTunes and/or MTV?

Matt: We are shooting a video for ‘Car Crash’ at the end of August. It’s being shot by Justin Francis – he is a total bad ass and did the new Modest Mouse video for ‘Little Motel.’ The treatment for our video is pretty rad. Not sure if it will be on MTV – do they even show videos anymore? It will definitely be on iTunes and everywhere else…

Jo: Your songs have appeared on popular television series’ like Scrubs and Men in Trees. Are there any shows you hope to add to that list with songs from the new album, or is it out of your hands when and what is submitted?

Matt: I would love to have a song on Family Guy, but I’m pretty sure they don’t do that kind of stuff.

Jo: Who or what influences your music?

Matt: My life pretty much influences my music. I’m not super good at the whole fictional storytelling stuff. My songs come from my own shit, for better or worse. And in terms of who…I’m wide open. I can be influenced from any direction. I’m pretty malleable that way.

Jo: How would you describe your fan base?

Matt: Kick ass! Truly. I am not really a fan of this word…but I am totally blessed. The folks that come to my shows are amazing. And passionate. And total freaks. And I love it!

Jo: What is the most unique thing a fan has ever said or given to you?

Matt: For a while, I was getting statues of religious figures. Like Jesus, the action figure. And Moses. I actually got a disturbing sculpture of Jesus teaching a boy to swing a baseball bat. And I’m not religious at all, so that was a pretty strange gifting period.

Jo: Have you performed in all 50 states? Anywhere outside of the US? Any plans to?

Matt: I think I’m still a few states short of 50. Definitely haven’t played Hawaii or Alaska yet. And I think the Dakotas are on that list as well. I’ve never really toured outside of the states, though that plan is starting to come together nicely…

Jo: You are an unusually gregarious performer at your live shows, with a penchant for language unsuitable for the under PG-13 crowd. Is language ever an issue – do certain venues forbid or discourage it?

Matt: Sometimes I’ll play a college where they have a swear/don’t get paid policy. I can totally refrain from swearing if I have to, but it feels like I’m playing the show with my hands tied behind my back, and use of only about half my brain. I LOVE me the swears!

Jo: Would you recommend MySpace to other musicians as way to market yourself and reach out to the fans?

Matt: It is crucial. It’s the perfect forum for spreading the word.

Jo: Do you take the time to read comments and blogs about you and your music?

Matt: If I’m feeling particularly shitty about myself, I have been known to Google my name in hopes of finding kindness from others on the world wide web. Yes, but I’m not in the habit of it…

Jo: At last count, there were over 500 clips of you on YouTube, with everything from Prison Break scenes set to ‘Laid’ and guys in front of web cams singing songs from your new album. Flattered or frightened?

Matt: Totally flattering…and hilarious.

Jo: You’ve covered songs by James (Laid on the American Wedding soundtrack), Cat Stevens (The Wind on Wake Up Everybody) and Prince (Starfish and Coffee on For The Kids Too!). Were you asked to do so, and did you have to seek permission from the original artists to perform each?

Matt: Fuck no. It’s totally legal to cover other people’s songs. Probably not legal to cover as many Journey songs as I do, but I’m in the clear on James and Prince.

Jo: When you’re on tour and have some down time, what do you like to do? Do you ever actually explore the cities you’re visiting?

Matt: I spend a lot of time exploring a 4-block radius of whatever club/theater we are playing. A lot of the time, that isn’t so spectacular. And I’m always on the lookout for a Whole Foods. If there is a Whole Foods in your town, you can pretty much count on finding me there!

Jo: What is your guilty pleasure television show? Movie?

Matt: I don’t really have guilty pleasures. I’m pretty open about my love of stuff that other people think is terrible. I have been known to watch an entire Olsen twin’s movie when it comes on cable. And I guess I’m not super proud of that.

Jo: What is on heavy rotation in your iPod right now? Who are your favorite artists of the moment?

Matt: The new National record. Tegan and Sara’s new one, The Con. Cansei De Ser Sexy. M.I.A. Lily Allen. Kiss – “The Destroyer.”

Jo: Do you have a favorite song from the new album? Is there a song from any of your previous albums that you still love to perform live?

Matt: My favorite song from the new record is definitely ‘Falling Apart.’ It just sort of sprawls out and soars in a cool way. I never get tired of listening to it. As far as older songs, I don’t really get tired of playing ‘Suspended’ or ‘I Saw.’ Those are always fun.

(Photo: Matt and I at the Mandalay Bay Beach in Las Vegas, where he opened for Pink in June of 2006.)

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