WGA STRIKE BLOGS: WHO & WHERE TO READ, PLUS A ‘LOST’ UPDATE


In addition to the sites that I listed in the the two previous blogs, here are some new ones to bookmark for writers strike updates and inside perspectives.

Strike Watch (TVGuide.com)

Show Tracker (LA Times)

Joss Whedon (creator/writer of Buffy the Vampire Slayer and Angel)

Jon Robin Baitz (creator/executive producer of Brothers and Sisters)

Here is a WGA video of The Office creator/writer Greg Daniels, along with writer/actors Mindy Kaling, BJ Novak and Paul Lieberstein picketing.

As for Lost, today on EW.com, executive producer Carlton Cuse (who is a WGA negotiating committee member and is picketing along with producing partner Damon Lindelof) said the following about how the strike will affect the filming and airing of the show:

“It will feel like buying a Harry Potter book, reading half of it,
and then having to put it down for many months. There
is a cliffhanger at the end of the eighth episode. It will only be
frustrating [for viewers] to have to step away from the show and not
see the second half of the season.

The first half of the season, like a good novel, sets all the
events of the show in motion and the second half deals with the
consequences. We’re very proud of the first eight but
it feels weird to have to stop literally mid-stream.”

Well, fellow Losties, what do you think? Comments are open again on this site, and I know you’re not shy.

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SHOWS ON STRIKE: DAY 1 UPDATES & RECOMMENDED READING


Recognize the
names below? You should. They are just a few of the more popular and successful writers/creators/show-runners among the 12,000 members of the
Writers Guild of America who are currently picketing in Los Angeles and New York due to unfair compensation (little to no residuals for their work on DVD and when watched or downloaded online).

This should give
you an idea about the scope of this strike and the status of your
favorite shows.

  • Greg Berlanti (Brothers and Sisters, Dirty Sexy Money)
  • Jenny Bicks (Men in Trees)
  • Daniel Cerone (Dexter)
  • Marc Cherry (Desperate Housewives)
  • Carlton Cuse & Damon Lindelof (Lost)
  • Greg Daniels (The Office)
  • Tina Fey (30 Rock)
  • Greg Garcia (My Name is Earl)
  • Matt Groening (The Simpsons)
  • Hart Hanson (Bones)
  • Silvio Horta & Marco Pennette (Ugly Betty)
  • Jason Katims (Friday Night Lights)
  • David E. Kelley (Boston Legal)
  • Tim Kring (Heroes)
  • Chuck Lorre (Two and a Half Men)
  • Seth McFarlane (Family Guy)
  • Carol Mendelsohn (CSI)
  • Marti Noxon (Private Practice)
  • Shonda Rhimes (Grey’s Anatomy, Private Practice)
  • Shawn Ryan (The Shield, The Unit)
  • Josh Schwartz (Chuck, Gossip Girl)
  • David Shore (House)
  • David Simon (The Wire)
  • Matt Weiner (Mad Men)
  • John Wells (ER)
  • Craig Wright (Dirty Sexy Money)

For a more comprehensive look, here is the ad that the WGA placed in Variety.

Complicating matters more is the fact that many actors are also active members of the WGA. While they are contractually obligated to show up for work by the network and their contracts, they may also be obligated to adhere to WGA strike guidelines and picket the very shows they star in. The obvious case in point would be The Office; cast members Steve Carrell (Michael Scott), Mindy Kaling (Kelly), Paul Lieberstein (Toby) and BJ Novak (Ryan) have all written episodes of the show. It will be very interesting to see how that plays out.

Most of the major talk shows have already halted production, as they require daily scripts. Apparently, Ellen DeGeneres did not show up to film her show today, in a show of solidarity for her writing staff. Conan, Kimmel and Leno will air repeats beginning this evening (which, on a personal note, is very disappointing and bad timing; my friend Matt was slated to perform on Kimmel tonight). I believe that The Daily Show with Jon Stewart and The Colbert Report are also a no-go.

Several WGA members have created a great blog called United Hollywood. If you really want to follow the strike from the inside, that is your best bet.

In addition to industry sites with updates, there are plenty of blogs from show writers and producers who might offer their perspective throughout the strike. Or not. As far as I know, the strike rules do not prevent them from blogging on their own.

Here are a few I recommend:

The Artful Writer (screenwriter Craig Mazin; Scary Movie 3, 4, 5)
BKV.tv (comic book/Lost writer Brian K. Vaughan)
Bloggers and Sisters (behind the scenes of Brothers and Sisters)
Grey Matter (Grey’s Anatomy writers blog)
James Gunn (screenwriter; Dawn of the Dead, Slither)
Jane Espenson (writer & co-exec producer, Battlestar Galactica)
John August (screenwriter; Go, Big Fish, Charlie and the Chocolate Factory)
Ken Levine (sitcom writer; Cheers, Frasier, The Simpsons, etc.)

There are plenty that I have not listed but please feel free to recommend some in the comments section. This is exhausting just to follow from the outskirts.

By the way, I found it fascinating that 90% of the people I talked to today at work and beyond had no idea that there was a writers strike going on. Granted, none of us are in the industry or located near the picket lines. But something tells me that the eyes and ears of the nation will perk up once their beloved shows begin to run out of fresh episodes and they face the deluge of repeats…

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HALT! HOW THE WRITER’S STRIKE MAY AFFECT YOUR FAVORITE SHOWS (Updated)


On Monday morning, the production and future of certain films and your favorite TV shows will be submerged into murky waters.

I am not going to pretend to know exactly why the 12,000 television and film writers that make up the Writers Guild of America are going on strike.

So here is the official statement that was released yesterday by the President of the WGA (West), Patric M. Verrone:

“The Board of Directors of the Writers Guild of America, West and the
Council of the Writers Guild of America, East, acting upon the
authority granted them by the members, have voted unanimously to call a
strike effective 12:01 AM, Monday, November 5.

As many of you know, three weeks ago the Members of the Writers
Guild of America voted overwhelmingly to authorize a strike if we could
not reach a fair and reasonable deal with the Alliance of Motion
Picture and Television Producers.

To avoid this outcome, we have been engaged in negotiations for more than three months to resolve our differences.

Over that time, we dropped nine of our proposals in the interest of reaching a resolution.

However, the studios have not responded to a single one of our
important proposals. Every issue that matters to writers, including
Internet reuse, original writing for new media, DVDs, and jurisdiction,
has been ignored.

In recent years, these conglomerates have enjoyed tremendous
financial success off the backs of literally tens of thousands of
people – including members of the creative community. One part of that
community is the writers, whose work serves as the blueprint for
programs and movies.

And, although the industry’s pie is continually growing, our share continues to shrink.

Rather than address our members’ primary concern, the studios made
it clear that they would rather shut down the town than reach a fair
and reasonable deal. This past Wednesday, the AMPTP called a halt to
talks by demanding that the Guild accept the extension of the current
DVD formula to new media.

This is not an action that anyone takes lightly. But it slowly
became apparent that the studios are not prepared to deal fairly with
writers and the rest of the talent community.

The companies have refused to agree that writers must receive fair
compensation when the writers’ work is broadcast on the Internet or
downloaded on iPods and cell phones.

The companies are seeking to take advantage of new technology to
drastically reduce the residual income that sustains middle class
writers and keeps them in the business. Their proposals would destroy
the very pool of creative talent that is the basis of their immense
revenues and profits.

Twenty years ago, the companies forced writers to accept an unfairly
low residual for home videos so that the market could grow. And, even
though those markets did grow to become an extremely profitable revenue
stream, the residuals never did.

The fact is there was no need for conflict on this issue – the
companies are doing very well in the marketplace. As the chairman of
one of the Big Six media conglomerates recently stated, the Internet is
a source of additional income. Television and film sales to the
Internet have not to date cannibalized viewers from broadcast and
cable. And the economics of digital distribution are even more
favorable than the economics of DVDs. Digital has no hard media costs,
no boxes, no marginal extra shipping and handling. The only substantial
economic issue for Internet reuse is the residual payment to directors,
actors, and writers.

That is why our position is simple and fair: when a writer’s work
generates revenue for the companies, that writer deserves to be paid.

For the creative community, for the city of Los Angeles, and for all
viewers who have come to appreciate our work product, we are sorry that
the studios have put us where we are.

We are committed to seeing this through and are willing to engage in any further discussions if the studios so desire.”

If you’re like me, you might be thinking about how this strike will affect specific shows. For now, take a look at The TV Grid from the LA Times. Even if production stops on our favorite series’ and new episodes air only until December, they will return at some point once this is resolved. But there are pressing issues beneath the surface of this strike…

After this ends, how will ratings be affected? As it is, many viewers have been very frustrated with the length of time between seasons (the agonizing wait for new episodes of The Sopranos and Lost, for example). Patience and dedication will be put to the test.

In addition, how will those shows on the bubble of renewal (the ones with critical raves yet lower ratings) be affected by the delay? If this strike had occurred last year, my guess is that 30 Rock and Friday Night Lights would not have seen second seasons. Outside of Pushing Daisies and Private Practice, breakout hits among the crop of new shows this year have been few and far between. I think we will see more series cancellations than usual once this is over.

I sided with the writers immediately. And I fully support the idea that they should receive residuals when their work appears in any kind of digital media format. But after skimming through the details of the strike and reading various industry blogs…it is important to recognize that there are other parties whose livelihoods will take a direct hit as a result of this strike.

Above and beyond the writers themselves, this strike will have serious financial ramifications for the families of actors, directors, producers and crews on all of the films and shows that were currently in production. I am not referring to those who have already achieved wealth and fame; I am thinking about the extras, the key grips, the prop builders, the script supervisors, etc. Not everyone in the entertainment industry earns a glamorous living in front of the camera. There are so many people behind the scenes who support every aspect of every single film and television show. And even though many crew positions have their own unions, when production comes to a screeching halt, they are all out a job for an unknown period of time and with no guarantee that their jobs will be there for them after the strike ends.

For up-to-date news about the strike, I recommend Nikki Finke’s Deadline Hollywood Daily. Make sure to read the comments that accompany her strike updates, as many writers and industry insiders are offering their perspectives about the matter.

I obviously do not know the whole story, but I will do my best to keep up with the details and provide you with information about some of the popular shows that I know you love and obsess about, like Lost.

What do you think about this whole thing?

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FROM SILENCE OF THE LAMBS TO SEATTLE GRACE: BROOKE SMITH EMERGES


Does the name Brooke Smith ring a bell? It should, and it will. Up until now, she was what I would deem a character actress (although some people object to that designation); one of those women on TV and in films that you recognized but couldn’t place.

In my estimation, Smith is criminally underrated, but she is finally on the verge of making that transition from part time to major player on the small screen. Though most know her now as the newly hired Dr. Hahn on Grey’s Anatomy, I have been following her career for a while. Here is quick look at some of her more high profile work:

1991. Silence of the Lambs. Smith was the infamous girl in the well.

1996. First appearance on Law & Order. Also appeared in 2005 and 2007.

2001. Starred in Series 7: The Contenders, a disturbing film about a reality television show which rewarded contestants for murdering one another.

  • It was written & directed by Dan Minahan, who has directed several episodes of Grey’s Anatomy.
  • Her co-star was Glenn Fitzgerald, who is currently playing Rev. Brian Darling on Dirty Sexy Money.

2002. Played a police officer in the movie Bad Company…with Hannibal Lecter Anthony Hopkins.

2004. Guest starred on an episode of Six Feet Under…directed by Dan Minahan.

2004. Was in the Woody Allen movie Melinda and Melinda.

2004. Was in the HBO film Iron Jawed Angels.

2005. Was in the film In Her Shoes.

2007. Played a doctor on Crossing Jordan for 13 episodes.

2007. Appeared in pilot of Dirty Sexy Money…as Glenn Fitzgerald’s mistress and mother of his son.

2007. Had a great 4 episode guest stint on Weeds opposite Mary Louise Parker.

2007. Recently signed as a full time cast member on Grey’s Anatomy.

Although I’m more of a Private Practice girl these days, I still watch Grey’s and the addition of Smith is a huge draw back into that fold.

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AUSTIN AUDIO: THE MUSIC OF FRIDAY NIGHT LIGHTS


That atmospheric music you hear during each episode of the television show Friday Night Lights is the work of Austin-based instrumental band Explosions in the Sky. They also provided the entire soundtrack for the 2004 Friday Night Lights film (although it remains a mystery why none of their tracks appear on the actual CD from the TV series).

The music of Explosions in the Sky sets the perfect emotional tone each week on Friday Night Lights, and I love listening to them while I’m writing. I highly recommend that you buy any of their four albums, or at least download the following songs on iTunes:

  • First Breath After a Coma
  • Remember Me as a Time of Day
  • Six Days at the Bottom of the Ocean
  • Your Hand in Mine

 

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LAST WOMAN STANDING: AN INTERVIEW WITH STAND-UP COMEDIAN MICHELE BALAN



I
recently returned from a cruise to Alaska, where we were treated to
performances by the hilarious Michele Balan on the ship. As a huge fan of NBC’s
Last Comic Standing (she was a
finalist and the Last Woman Standing in Season 4 last year), it was great to
experience her show live.  I highly
recommend that you get tickets to see Michele the next time she comes to a town
near you!


 


Although
we only met briefly during the cruise, Michele was kind enough to answer a few
questions after the trip ended.


 


Jo:
Did you watch any of the first three seasons of Last Comic Standing? If so, did it inspire you to audition?


 


MB:
I watched some of the episodes as I knew a lot of the comics that were on it. I
think I watched more of Season 2. That season inspired me more to
audition.  I certainly would not have
waited on a line, but a lot of the more professional comics got audition times,
which I did. But that was all they gave me (a time slot), the rest was up to
me.


 


Jo:
What was the audition process like for the show?


 


MB:
It was a 3 minute audition in a large comedy club in front of 2 judges and 3
producers (who were hiding in the back). It is like doing comedy in your mirror
and waiting for a laugh…or trying jokes out on my Shitzu!


 


Jo:
I went to a high school dance on the Queen Mary as a teenager, and I can’t
imagine that the accommodations are anything but dusty and uncomfortable – what
was it like briefly living on that ship while filming?  


 


MB:
Exactly how you described it.. dusty and uncomfortable! It’s also supposed to
be one of the top haunted places in the U.S…but it’s so dusty, the ghosts don’t
even want to stay!


 


Jo:
Did you enjoy living among your competition? 


 


MB:
No. It was way too competitive and noisy. Comics only want to one-up each
other…it got pretty annoying.


 


Jo:
How did the exposure from Last Comic
affect your career?


 


MB:
It’s been great. It has been a gift…I am now a 15 year overnight success!


 


Jo:
Have you remained friends with anyone from the show?  


 


MB:
Most of us have stayed in touch and we talk from time to time. Some I don’t
really speak with at all.


 


Jo:
If they asked, would you be a guest judge on Last Comic in the future?


 


MB:
I would love it. I hope they would ask.


 


Jo:
I read that you are slated to perform on Jay
Leno
. Will that be your first visit to his show?


 


MB:
I am in the process of preparing to get on the show…not finalized yet…so cross
everything. But it’s certainly looking very positive.


 


Jo:
Where is your favorite place to perform?


 


MB:
I like most places. I am not crazy about doing colleges; I do a few, but I
always think they are saying, “Who’s mother is that?”


 


Jo:
Obviously you gauge your content based on your audience. But are there any
topics that you consider off-limits in your act?


 


MB:
I might make some adjustments to my act based on whether I play a gay cruise,
or Jewish Country club! J


 


Jo:
You’ve performed on both Olivia and RSVP vacations. Did they each contact you
after watching Last Comic? 


 


MB:
I actually performed on both before the show.


 


Jo:
I noticed that you were wearing the seasickness prevention bracelets on the
Alaska cruise. Do you prefer performing at land-based destinations? 


 


MB:
I love cruises, but yes, I am one that is more prone to sea sickness than most.
I very rarely get sea sick on land!


 


Jo:
You were born and raised in New York. Have you lived there ever since? Would
you ever move out to Los Angeles or anywhere else?  


 


MB:
Yes, I was born and raised in NYC and still live here. I thought about moving
to LA but I have been too busy to pack. So I just go there a few times a year.


 


Jo:
Is it true that you used to be an executive at a computer company? How did you
contain your sarcasm in that environment…or did you even have to?  


 


MB:
My sarcasm and humor is what made me a good sales person. I was an account
executive and sold computer packages.

Jo:
What made you decide to leave the corporate world behind for the life of
stand-up comedy?


 


MB:
Everyone always told me I was funny and I should be a comic. I finally listened
and left my corporate job. It was a tough decision, and I had a rocky road
emotionally and financially getting here! I stuck with it, and here I am. So I
certainly have no regrets!


 


Jo:
Before Last Comic, you were a “female
female-impersonator,” and Bette Midler was your specialty. Did she ever catch
your act?


 


MB:
No, she never did. At least I don’t think so…well, she never called!


 


Jo: Who or what has been the biggest
influence on your career?


 


MB: Bette was a big part of it, and a lot
of old “Borscht Belt” (a.k.a. Jewish Catskill) comics.


 


Jo:
How often do you personally check your MySpace page and messages?


 


MB:
I check all my emails and answer them all. Of course, sometimes it takes awhile,
like this interview did. My apologies!


 


Jo:
On the rare occasion that you do have down time, do you watch television? What
are some of your favorite TV shows?


 


MB:
I actually like a lot of the crime dramas…the Law & Order’s and CSI’s.
I like Frasier and Golden Girls reruns at night (when I am
up till 2:00 am trying to fall asleep).


 


Jo:
Are you auditioning for movies or television, in addition to performing as a
headliner at comedy clubs and benefits across the country?


                                               


MB:
Yes, on all. I’ve been doing so many things, and glad to have all the
opportunities. You never know when any of this comes to a screeching halt! I
could go from Last Comic Standing to
the other reality show, Where Are They Now?
J


 


Jo:
What are you currently working on/aiming for? 


 


MB:
I have a few tour projects and possible TV projects in the works…so maybe one,
or all will come through (then I will need an understudy!)


 


Many
thanks to Michele for taking the time out of her busy schedule for this
interview!


 


You
can order her DVD (“Live…Just Barely”) and CD (“Neurotic by Nature”) directly
by visiting: http://www.comicbalan.com/content/.
Or become one of her MySpace friends: http://www.myspace.com/princessofcomedy.


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