HUGH JACKMAN FILM FESTIVAL, PARTY OF ONE


Inadvertently, it has been Hugh Jackman Month at my house. The man is everywhere. Earlier this month I saw The Prestige, last week it was The Fountain, and this week I rented Scoop. Admittedly, Swordfish is a guilty pleasure and my favorite among all of his films. I can’t turn the channel if it happens to be on. Regardless, here are a few brief reviews of Jackman’s more recent work:

 

The Fountain

I am still haunted by Requiem for a Dream, so Darren Aronofsky’s directorial style is fresh in my mind; I appreciate his flair for unflinching close-ups and eye candy aesthetics. That being said, The Fountain is…strange and beautiful. It is a historical fantasy disguised as a love story; two characters overlap and intertwine in three very different centuries. This film is not for the impatient, and it may require more than one viewing to fully comprehend.

 

Scoop

After being very disappointed by Match Point, I was skeptical about both renting Scoop and watching Scarlett Johansson in her second Woody Allen film in a row.  But I think this is Allen’s best movie since the late 90’s, and he is back on track after the dark, disjointed disaster that was Match Point.  Johansson and Jackman may not have the best onscreen chemistry, but they did seem to enjoy and make the most of their scenes together.  The overall tone of the movie was lighter than Allen’s last few, and the comedic caper made a welcome return. It was quite fun to watch Ian McShane (Deadwood) on the big screen, but I found it peculiar that he went with an American accent though the movie set in his native England

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MOVIE REVIEWS: THE PRESTIGE, RUNNING WITH SCISSORS, THANK YOU FOR SMOKING


THE PRESTIGE

 

I would like to christen writer/director Christopher Nolan the King of Contemporary Movie Mystery. His films (Memento, Insomnia) are equally puzzling and smart, far from run-of-the-mill or Hollywood glamorous. The Prestige is Nolan’s follow-up to last year’s very successful Batman Begins, and reunites him with co-stars Christian Bale and Michael Caine.  But this movie belongs to Hugh Jackman, who will make you forget about Wolverine in an instant. To be perfectly honest, this is the first time I’ve ever found him even remotely convincing in a lead role. There are twists and turns in The Prestige that will keep you on your toes throughout the film, a very enjoyable whodunit that also includes the ubiquitous Scarlett Johansson.

 

For what it’s worth…although both movies cover similar territory (i.e. magicians in turn-of-the-century Europe), The Illusionist is not nearly as mysterious and dark. Given the choice, I would rent The Illusionist and see The Prestige on the big screen while you still can.

 

RUNNING WITH SCISSORS

 

I am going to state the obvious. Annette Bening is an amazing actress; her talent is unrivaled among her contemporaries. If for no other reason, see Running with Scissors because this is the one that should net her that long overdue Oscar. I thought American Beauty was her pièce de résistance, but she is simply phenomenal in this film. Bening’s performance brings to mind Ellen Burstyn’s brilliant, disturbingly realistic insanity in Requiem for a Dream.  But believe it or not, it is none other than Jill Clayburgh who almost steals the show; her small but memorable role in Running with Scissors is worthy of a Best Supporting Actress nomination (she was up for Best Actress in both 1979 and 1980!). In addition, the extremely reliable Brian Cox is hysterical in this movie; his lengthy oeuvre does not include much light-hearted fare, so his physical comedy in Scissors was a welcome surprise. And not that he went anywhere, but it seems Alec Baldwin is making a comeback of sorts. His brief appearance in this film is surprisingly understated and appreciated, quite the opposite of his current gig as head honcho on 30 Rock. Overall, this movie is very funny, eccentric and slightly scattered, but the acting supersedes the few flaws from first-time director Ryan Murphy (Nip/Tuck). 

 

NEW MOVIES ON MY MUST-SEE LIST

 

For Your Consideration

Christopher Guest and Eugene Levy are back, along with the same quirky, improvisational cast and script. Rumor has it that Catherine O’Hara may finally get the attention she deserves for this performance; ironically enough, the film is about a group of actors who receive and react to major award nomination buzz.

 

The Holiday

Two words: Kate Winslet. Regardless of the fact that it also stars Cameron Diaz, Jude Law and Jack Black, I will be first in line simply because a Kate Winslet comedy is long overdue. Also, it is a Nancy Meyers film, the Queen of Chick Flicks That Also Appeal to Men (see: What Women Want and Something’s Gotta Give).

 

RENTAL OF THE WEEK

 

Add Thank You for Smoking to your Netflix queue or run out and rent it this weekend. It is a very clever and entertaining glimpse into the world of big tobacco, and features an amazing ensemble (Maria Bello, Adam Brody, Robert Duvall, Aaron Eckhart, Katie Holmes, Rob Lowe, and William H. Macy, among others). This is a very impressive debut from writer/director Jason Reitman, and you can follow his journey from script to screen here: http://thankyouforsmoking.typepad.com/.

 

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MY ‘WALKING EPIDURAL’: PRE & POST ANESTHESIA THOUGHTS


Very early yesterday morning I received a Lumbar Epidural Steroid Injection (otherwise known as a ‘walking epidural’) in my lower back to help reduce the inflammation of nerves that have made the last few months of my life very annoying. It was a non-surgical procedure, although it did require an IV and anesthesia. Apparently I’m more gregarious than usual right before going under; I remember rambling on to the kind medical staff about the World Series, wild turkeys roaming our suburb, and how much I love those Claritin RediTabs for immediate allergy relief.

 

A brief synopsis of right before and immediately following the procedure:

 

Me: “Do you buy medicine in bulk from Costco too? Hey, I feel kind of funny. Did you add drugs….”
And: scene. I’m out cold. Cut to 20 minutes later. I am behind a hideous, outdated pastel curtain in another room. Somehow they managed to turn me over so that I was lying on my back when I awoke, and for that I feel sorry for the nursing staff in retrospect. I’m sore and stiff, and feel like I’ve been run over by an 18-wheeler, but look forward to ‘roid rage. I mean recovery. Unfortunately, all of my best laid plans to finally win the office Halloween costume contest will have to be put on hold until next year due to my physical inability to actually wear my clever homemade costume. Sigh.  

 

Long story short, because I am limited to sitting and sleeping for a week and have some time on my hands, I thought I’d blog about the random topics that have been on my mind.

 

AMERICAN DREAMZ

I had higher expectations for this movie, a blatant American Idol parody that didn’t fair too well at the box office. Given that it was written and directed by Paul Weitz (About a Boy, In Good Company) and featured Hugh Grant channeling Simon Cowell, I thought it had great promise. But the dialogue and flow were disappointing, and the transparent Bush and Cheney caricatures were entirely too campy. The saving grace is Mandy Moore; she really is an underrated comedic actress (see: Saved).

 

DEADWOOD/LOST CONNECTIONS

Was anyone else disconcerted by the sudden appearance of Trixie from Deadwood appearing as an Other on Lost? Although her role was short lived, I have to admit that it was difficult for me to imagine her as anything other than a sassy prostitute. It was also nice to see Kim Dickens (Joanie Stubbs on Deadwood) again as Sawyer’s conned ex, Cassidy. I’m sure that Liz Sarnoff, who was a writer on Deadwood and has written several of Lost’s best episodes, had something to do with their casting.

 

FRIDAY NIGHT LIGHTS

At first it bothered me that the series is filmed exactly like the movie, pseudo-documentary style. But the acting is stellar, starting with the surprisingly compelling Kyle Chandler. He is putting his Georgia accent to good use, and his strong but flawed character is the centerpiece of the entire show. I also love Connie Britton, who not only plays Chandler’s wife in the series, but also filled the role as the coach’s wife in the film. I hear rumors that this show is on the brink for next season, as viewership is low despite critical raves. So if you haven’t jumped on the Friday Night Lights bandwagon yet, hop on now.

 

HEROES

Tied for my favorite new show of the season (with Studio 60 on the Sunset Strip). I love how each episode is a cliffhanger that does not acutally leave you waiting around all season for answers; resolution begins at the very beginning of the next show.  I continue to think of Hayden Panettiere (who plays indestructible cheerleader Claire), as Ally McBeal’s daughter, but her character is fascinating and my favorite to follow among the many storylines. It is also fun to see Jack Coleman again (Steven Carrington from Dynasty), this time as a mysterious and menacing man who happens to be Claire’s father. And if there were an award for smarmy, Adrian Pasdar (a.k.a. Mr. Dixie Chick – his wife is Natalie Maines) would be the clear winner. We don’t even know if he is good or bad, but it sure is easy to dislike him on this show.

 

LUCKY NUMBER SLEVIN

Let me first state that I am not a Josh Hartnett fan. I’ve never really understood his appeal nor have I enjoyed any of his performances in previous films. He is tolerable in this one, primarily because he is surrounded by a strong supporting cast that includes Lucy Liu, Morgan Freeman, Ben Kingsley and Bruce Willis. The movie attempts to intermingle aspects of The Usual Suspects with Pulp Fiction, but isn’t as good as either. I enjoyed the ostentatious set design more than the overall story and film, to be quite honest.

 

THE OFFICE ON MYSPACE

If you’re on MySpace and a fan of The Office, I highly recommend adding the cast as your ‘friends.’ Many of the actors post pages as their characters, and offer entertaining insights and tidbits behind the scenes of both episodes of the series and real life experiences (i.e. attending the Emmys and winning Outstanding Comedy Series in 2006). They’ve also been known to write you back if they have time. I read their often hilarious MySpace blogs (usually written while actually on set and at their desks), and my personal favorites include Pam (Jenna Fischer), Angela (Angela Martin), Meredith (Kate Flannery), and Kevin (Brian Baumgartner).  Dwight Schrute (Rainn Wilson) has a hysterical blog on NBC.com but is not on MySpace.

 

Side Note: Most of the episodes of The Office are produced and written by three of the actors on the show (Mindy Kaling – Kelly, Paul Lieberstein – Toby, and BJ Novak – Ryan the Temp). I love that.

 

PARTY OF FIVE ON ABC?

So we have both Matthew Fox (Charlie from Party of Five) and Scott Wolf (Bailey from Party of Five) gracing our living rooms once again. And they’re both playing doctors (Fox on Lost, Wolf on The Nine). The network might as well add Neve Campbell to the cast of Grey’s Anatomy and Lacey Chabert to Brothers & Sisters just so we can all enjoy the Salinger clan once again.  

 

Side Notes: Tamara Taylor, who was Matthew Fox’s girlfriend for a season on Party of Five, plays Walt’s mom on Lost. And talk about six true degrees of separation in casting and directing – Daniel Attias has directed episodes of Party of Five, Deadwood and Lost. It’s a small world after all.

 

PROJECT RUNWAY

The finale was kind of anticlimactic and I thought Uli deserved to win. Clearly I am not in the fashion world, but as a woman and consumer, I was much more drawn to both her line and Laura’s. Michael appeared to fizzle out toward the end, but something tells me he’ll do just fine with his talent and popularity. In my opinion, very few women outside of the fashion and music industries would choose to wear one of Jeffrey’s pieces; Uli and Laura created clothing that have much broader appeal to everyday women.  

 

SCRUBS V. GREY’S ANATOMY

Why, why, why?! I was thrilled to hear that Scrubs is finally returning. But NBC has scheduled it opposite Grey’s Anatomy. Yes, they’re both doctor shows, one that is really funny and one that is fairly dramatic with moments of levity. It is very frustrating that networks fail to realize that these two shows have a lot of the same audience and want to watch both shows. If NBC is really trying to bring back Must See TV comedy on Thursday nights, they should put Scrubs at 8pm, followed by The Office at 8:30pm. Place Twenty Good Years out to pasture instead at 9pm, so that Scrubs won’t have to face the juggernaut that is Grey’s. Not every household in America has TiVo or the capability to tape one show and watch another at the same time. I am pissed, so I can only imagine how Zach Braff and co. feel.

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MOVIE REVIEWS: THE DEPARTED & THE ILLUSIONIST


THE DEPARTED

 

The Pros:

It is pure Scorsese, compelling and violent with an excellent story and cast. In my opinion, this is his best film since Goodfellas.  I am finally convinced that Leonardo DiCaprio is a damn good actor; his intensity is off the charts in this one.  The star power is overwhelming but none of the talent is wasted or over the top…except for Mark Wahlberg.  Vera Farmiga (who looks like a Sarah Jessica Parker/Robin Wright Penn hybrid), more than holds her own as the sole female lead among the big boys.

 

The Cons:

The editing is distracting. I realize that it is a Scorsese characteristic, but certain scenes and songs were poorly cut and did not transition well. I had the same issue with Gangs of New York (well, that and the casting disaster that was Cameron Diaz).

 

THE ILLUSIONIST

 

The Pros:

Paul Giamatti should be a shoo-in for a Best Supporting Actor nomination. He seems much more comfortable as a character actor; he has mastered the art of disappearing into his roles and inadvertently steals the show more often than not.

 

The Cons:

The movie is a rental, not an experience you need to see in a theater. The other film about magicians in turn-of-the-century Europe, The Prestige, comes out soon and will undoubtedly do better at the box office. Not only did it have more than double the budget of The Illusionist, but it reunited Batman Begins director Christopher Nolan with Christian Bale and Michael Caine. Oh, and two other folks named Hugh Jackman and Scarlett Johansson co-star. And some icon named David Bowie. 

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ELLEN TO HOST 2007 OSCARS!


It was just announced that Ellen DeGeneres will host next year’s Academy Awards. Finally! Ever since she did a brilliant job of hosting the Grammys in 1996, I have wondered why she wasn’t an obvious choice for the Oscars as well. She deserves it, and I am thrilled that she has been given the world as her stage.  Ellen is well respected in both the industry and among her millions of fans. I have to admit that I am encouraged; the opportunity and recognition are due to true talent, regardless of who shares her heart and her home. It is a step forward, and I often look down that path with guarded enthusiasm.

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LITTLE MISS SUNSHINE


I love The Office and I was amused by both Bruce Almighty and Anchorman, but unlike most of world, I do not bow at the temple of The 40 Year Old Virgin. If you really want to see Steve Carell’s true range and talent, go see Little Miss Sunshine. Carell plays Uncle Frank, and his dysfunctional movie family includes Toni Collette (in yet another great performance), Greg Kinnear, Alan Arkin, Paul Dano and fabulous little Abigail Breslin (Signs).

 

Little Miss Sunshine has the humor and poignancy of Garden State, and the word-of-mouth momentum of My Big Fat Greek Wedding. The fantastic cast and script will keep you entertained and smiling from start to finish (the last scene alone is worth the price of admission). Made for just $8 million and gobbled up at Sundance for a record $10.5 million, it is the little-indie-that-could. Go see it in theaters now. 

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