Penn + Van Sant = Oscar MILK
Last night I had the opportunity to see Milk at the historic Castro Theatre in San Francisco; what a phenomenal film and an unbelievably moving experience. It was quite surreal to be sitting in the very theatre that features so prominently on screen, in the exact location where the movie was filmed and where Harvey Milk lived and worked. The Castro Theatre is a San Francisco landmark, the most iconic locale in the Castro district. As shown in the photo above, they were showing a montage of Milk photos before the screening, accompanied by an organist on a Wurlitzer (a tradition since 1979). I can’t imagine seeing Milk in any other theater in the world, and feel fortunate to have done so among those who either lived during that politically turbulent time or recognize and respect the significance that Milk has had on their city. On a personal note…in 1996, my first apartment in SF was a short walking block from this theatre, and the film’s neighborhood accuracies produced many goosebumps and smiles of recognition.
I stand behind my predictions and thoughts about Milk from this post back in October. I don’t have to wait for Oscar nominations to be announced; it will earn nods for Best Picture, Best Actor (Sean Penn), Best Director (Gus Van Sant) and Original Screenplay (Dustin Lance Black).
Milk is the most socially relevant film in recent memory, an educational and heartbreaking look back at the political rise of SF Supervisor Harvey Milk in the 1970′s. To be frank, it should have been released before November 4; I truly believe that this movie could have altered the outcome of Proposition 8 in California. The parallels to Proposition 6 thirty years ago are uncanny, and Milk’s leadership to help defeat that measure illuminates the fact that we do not have the powerful voice and direction of such a person today.
Sean Penn is absolutely astounding and accurate in his portrayal of Milk. He embodies the spirit and personality of the man with great ease and joy. We’re all familiar with Penn’s intensity, anger and passion on screen, but as Milk…it was unusual to witness such mirth in his eyes and performance. Before you jump to remind me about or defend Fast Times at Ridgemont High, know that it does not count or compare in my book; it was only Penn’s second film and before he developed into one of our finest actors.
To me, Penn as Milk is on par with Ledger as The Joker. Those two actors in those two roles may prove to be among the most impressive in cinematic history (or at least for 2008).
Josh Brolin, James Franco, Victor Garber and Emile Hirsch round out a very strong supporting cast, and I was amused by out actor Denis O’Hare’s role as conservative state senator John Briggs.
I have always appreciated Gus Van Sant’s style and films, but until now my favorites have been To Die For (1995) and Good Will Hunting (1997). His direction of Milk was brilliant, seamlessly intermingling archival footage with the new. It was as if we were watching a mesmerizing documentary, narrated by the ghost of Harvey Milk.
Do I recommend Milk? In a heartbeat. It is not a ‘gay’ film or a message movie; Milk is a touching historical biography that every teenager and adult in every small town and major city needs to see.
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