Pencils Up, Laptops On: The Writers Strike is Over


The Writers Strike has ended. Scribes will return to their craft, and films and TV shows will resume production.

The only task remaining for members of the Writers Guild is to vote in favor or against the tentative 3-year contract with the AMPTP (Alliance of Motion Picture and Television Producers), which they will do in a few weeks.

Below are excerpts from the official announcement, released by the Presidents of the WGA West and East:

On Tuesday, members of the Writers Guilds East and West voted by a
92.5% margin to lift the restraining order that was invoked on November
5th. The strike is over.
 
Writing can resume immediately. If you were employed when the strike
began, you should plan to report to work on Wednesday. 

 
The decision to begin this strike was not taken lightly and was only
made after no other reasonable alternative was possible.  We are
profoundly aware of the economic loss these fourteen weeks have created
not only for our members but so many other colleagues who work in the
television and motion picture industries. Nonetheless, with the
establishment of the WGA jurisdiction over new media and residual
formulas based on distributor’s gross revenue (among other gains) we
are confident that the results are a significant achievement not only
for ourselves but the entire creative community, now and in the future.
 
We hope to build upon the extraordinary energy, ingenuity, and
solidarity that were generated by your hard work during the strike. 
 
Over the next weeks and months, we will be in touch with you to discuss
and develop ways we can use our unprecedented unity to make our two
guilds stronger and more effective than ever.
 
Now that the strike has ended, there remains the vote to ratify the new
contract. 
 
Thank you for making it possible.  As ever, we are all in this together.

I am very happy for the writers, and to hear that the strike was resolved on their terms. Without their words, you would be bored and I would have nothing to talk about. They deserve fair compensation for their work, no matter the medium where it appears, and they earn it with every episode and movie that we are fortunate enough to view across many platforms.

So keep the writers in mind after you fall in love with a film, or laugh for days at a line that a character on one of your favorite shows said. Stay through the credits at the movies, and don’t TiVO fast-forward through them at the end of an episode.  Because the ones in front of the camera would be nothing without those behind the scenes.

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Strike Out: The Future of Your Favorite Shows


If the writers approve the terms of the deal and vote to end the strike this week, below is a glance at how the rest of the 2008 television season looks, by show (series that I watch or have been asked about; all speculative at this point).

I
could have simply posted links to this information from several online
sources, but what fun would that be? Besides, I don’t think anyone
reading this really cares about the future of Aliens in America.


Let’s start with my favorite, and then return to alphabetical:

Lost: Six pre-strike episodes remain; potential for SIX more this year!

24: Returning 01/09

30 Rock: New episodes as early as April or May

Big Shots: Canceled

Bionic Woman: Canceled

Bones: Four pre-strike episodes will air beginning 4/14

Boston Legal: New episodes as early as April or May

Brothers & Sisters: Last pre-strike episode airs this Sunday; shooting additional episodes this Spring

Chuck: No new episodes until Fall

The Closer: New season will air this summer

Cold Case: New episodes as early as April or May
 
Criminal Minds: New episodes as early as April or May

CSI (all versions): New episodes as early as March or April

Desperate Housewives: New episodes as early as April or May

Dirty Sexy Money: No new episodes until Fall; 3 remaining pre-strike episodes being retooled

ER: No word

Friday Night Lights: No new episodes to air; future TBD

Gossip Girl: New episodes as early as April or May

Grey’s Anatomy: New episodes as early as April or May

Heroes: No new episodes until Fall

House: New episodes as early as April or May

How I Met Your Mother: New episodes as early as April or May

Journeyman: Canceled

Law & Order (all versions): New episodes to air this Spring

Life: No new episodes until Fall

Medium: Six pre-strike episodes will air; new episodes expected later this year

Men in Trees: Eleven pre-strike episodes will air

My Name is Earl: New episodes as early as April or May

Nip/Tuck: Last new episode airs next week; new season to film this summer

October Road: Five pre-strike episodes will air; future TBD

The Office: New episodes as early as April or May

Private Practice: New episodes unlikely until Fall

Pushing Daisies: No new episodes until Fall

The Riches: New season premieres next month

Samantha Who: Three pre-strike episodes to air; new episodes this Spring

Saturday Night Live: May air as soon as this weekend

Scrubs: Four pre-strike episodes to air; future TBD

Ugly Betty: New episodes as early as April or May

So…which show are you anticipating the return of the most?

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The End is Near: A Writers Strike Update


Last night, thousands of members from the Writers Guild gathered on both coasts (WGA East in NYC, WGA West in Los Angeles). Various sources are reporting that there is a tentative deal on the table, and that the members of the WGA will decide by tomorrow whether or not the Strike continues. On Tuesday, members will then cast their votes whether or not to agree to the terms of the new deal, and Hollywood might be back to work as early as Wednesday. That is a cautiously optimistic best-case-scenario, but I believe we (the fans) should continue to support the writers and be patient as this unfolds.

Patrick Verrone, President of the WGA West, released the following statement yesterday (which I am excerpting; the entire letter can be found on Deadline Hollywood Daily):

We have a tentative deal.

It is an agreement that protects a future in which the Internet
becomes the primary means of both content creation and delivery. It
creates formulas for revenue-based residuals in new media, provides
access to deals and financial data to help us evaluate and enforce
those formulas, and establishes the principle that, “When they get
paid, we get paid.”

Over these three difficult months, we shut down production of nearly
all scripted content in TV and film and had a serious impact on the
business of our employers in ways they did not expect and were hard
pressed to deflect. Nevertheless, an ongoing struggle against seven,
multinational media conglomerates, no matter how successful, is
exhausting, taking an enormous personal toll on our members and
countless others. As such, we believe that continuing to strike now
will not bring sufficient gains to outweigh the potential risks and
that the time has come to accept this contract and settle the strike.

Much has been achieved, and while this agreement is neither perfect
nor perhaps all that we deserve for the countless hours of hard work
and sacrifice, our strike has been a success. We activated, engaged,
and involved the membership of our Guilds with a solidarity that has
never before occurred. We developed a captains system and a
communications structure that used the Internet to build bonds within
our membership and beyond. We earned the backing of other unions and
their members worldwide, the respect of elected leaders and politicians
throughout the nation, and the overwhelming support of fans and the
general public. Our thanks to all of them, and to the staffs at both
Guilds who have worked so long and patiently to help us all.

I will update this post when additional details emerge.

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Random Casting & Other TV News


Yes, I watch shows other than Lost, although it may not seem like it at the moment.

I have been neglecting to write about both new and beloved series, so here are some updates.

FRINGE

This is a brand new FOX series that sounds suspiciously and deliciously like a cross between The X-Files and The Twilight Zone. Did I mention that it is being produced and written by Lost creator J.J. Abrams? So hell yes, I’m there. Casting thus far includes Joshua Jackson (Pacey from Dawson’s Creek), Lance Reddick (formerly of The Wire and currently freaking us out as the mysterious Matthew Abbadon on Lost), Kirk Acevedo (Miguel Alvarez from Oz), British import Charlotte Rampling (Swimming Pool), and Blair Brown (The Days and Nights of Molly Dodd). It is currently filming (because the pilot script was completed before the strike began), so I hope to see a release date for later this year.

FRIDAY NIGHT LIGHTS

It pains me to report that one of the best shows on television is in danger of being canceled. Not only did NBC move the series to Friday nights (an insulting assumption that we’d forget when it’s on otherwise, and a huge mistake), the head of NBC Entertainment recently made the following statements about one of my favorite hours of TV:

“I love it. You love it. Unfortunately, no one watches it. That’s the
thing with shows. People have to watch them. We’re NBC, we have a
reputation to uphold. And, man, with this writers’ strike … well,
we’ll see what we can do.”

It would be a damn shame to discontinue FNL for many reasons, one of which is that Kyle Chandler and Connie Britton haven’t received their Emmys or Golden Globes yet (nominations and statues). Let’s just hope that another network picks up where NBC leaves off.  ESPN, for instance…

BONES

Bones will return on April 14.  Adjust your TiVO season pass – it will now air on Monday nights.

DIRT and THE RICHES

Both of their sophomore seasons on FX have been reduced to only 7 episodes each, which means that even when the Writers Strike is resolved, no additional episodes will be written or produced. And fans of both series might be disappointed to find that there won’t be any cliffhangers or even closure to the seasons of either show.

CASHMERE MAFIA v. LIPSTICK JUNGLE

I couldn’t get through the Lipstick Jungle premiere. Even if it had debuted before Cashmere Mafia, I wouldn’t have liked it; the characters are empty and the pace was ridiculous. Some might say that very thing about Cashmere Mafia, but I enjoy Lucy Liu and Bonnie Somerville in LJ ten times more than any of the women on CM.

KNIGHT RIDER

I had no intention of watching this rehash, because the original version wasn’t enticing either. However, I was more intrigued when I found out that the voice of the new KITT car was none other than Will Arnett (a.k.a. GOB Bluth from Arrested Development). And then it wasn’t. For some reason, Val Kilmer took over that responsibility. What, they wanted a cranky monotone delivery instead of a sarcastic one? Just who are they attempting to market this show to? This is strike 2 for NBC, in my book (see FNL above for strike 1).

SCRUBS

Ladies and gentlemen, I give you strike 3 for NBC. It is up in the air whether or not the show will even go back into production following resolution of the Writers Strike, but show runner Bill Lawrence is aiming to at least film the last 4 episodes ever of Scrubs for DVD distribution.

ARRESTED DEVELOPMENT

Great news for one of the most underrated (at least among viewers, not critics) comedies of all time…there are rumblings about an Arrested Development movie, with full cast and crew involvement!

Have a nice weekend! Should there be major developments in the Writers Strike, I will be sure to post updates.

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