In Defense of Juno, Diablo Cody & Ellen Page

I have written and deleted this post several times over the past month. But I have reached the tipping point and can no longer contain the simmering disgust.

The movie, the screenwriter and the star of Juno do not need defending, especially from a small time blogger like me. But I’ve read almost every article and interview about all three, and the growing backlash has been surprisingly vicious.

Some people just can’t be happy for this film and those involved, primarily because of the script. Many describe the dialogue as unrealistic or phony, but that is the way that young people talk; I have teenage nieces, and they definitely have their own lingo. Besides, everyone enjoys a new catchphrase or two.  I’m 35 years old, and I found the screenplay to be a breath of fresh air among the smoggy, stale others we are subjected to year in and year out.

Did people have a similarly strong reaction to critical indie darling Little Miss Sunshine last year? No, because their screenwriter didn’t have a previous stint as a stripper. Whoopteedoo, boys. Cody wrote Candy Girl, an autobiographical look back at the year she worked in various strip clubs, and then she moved on and wrote the script for Juno. They are not related, but that is all that some seem to focus in on (primarily male commentators and bloggers). Cody is not shying away from that aspect of her life in interviews; it is simply irrelevant to her current project and acclaim.

The anger toward both Cody and Ellen Page comes across as sheer jealousy and immaturity. Page is young, talented and unconventional. She is not tabloid fodder, nor does she aspire to be. Page has done nothing to draw negative or unwanted attention to herself, and has gone about promoting her film like most other stars do. I love that she lives a quiet little life up in Nova Scotia, and I look forward to her future roles and choices. She is smart and refreshing, not unlike Juno herself. There is absolutely no reason for anyone to dislike Ellen Page or cast unwarranted aspersions in her direction, at least until she does something that deserves such criticism.

To be honest, I will no longer peruse a select few entertainment websites that used to be daily reads, because the comments about Cody and Juno have become increasingly sexist and outrageously insulting.

And frankly, I hope that Ellen Page does win Best Actress tonight. I have been rooting for Diablo Cody from day one for Best Original Screenplay. Last night, Page, Cody and Juno won the major categories at the Independent Spirit Awards. Hell, if Juno sweeps in with a stealthy Best Picture win at the Oscars, I will stand up and cheer. Out of all 5 nominees for the main prize, Juno has earned far more at the box office and is a pop culture phenomenon. Atonement, No Country for Old and There Will Be Blood are fantastic films, but dark and depressing; Juno is a walk in the park on a sunny afternoon with your new puppy.

If Juno does win, the vitriol will be far worse than it is now. Inevitable comparisons to Crash over Brokeback will begin, but I will contend that Juno is far more deserving than Crash ever was.

Grrrr.  I’m ready for my customary champagne and red carpet commentary now.

Let the shenanigans begin.

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Oscar Predictions 2008

This might be the first time that I have ever really enjoyed every single nominee for Best Picture, and I believe that we will look back at 2007 as one of the strongest years in film from this decade.

I absolutely loved Juno, I really liked both Atonement and Michael Clayton, and I thought that No Country For Old Men was good but overrated. So my choice to take the gold statue is There Will Be Blood because it is a phenomenal movie, an instant classic and an epic masterpiece.

I always struggle with predicting who WILL win vs. who I want to win, so I decided to denote both below for the major categories.

BEST ACTOR
George Clooney (Michael Clayton)
Daniel Day-Lewis (There Will Be Blood) * WILL WIN/SHOULD WIN
Johnny Depp (Sweeney Todd)
Tommy Lee Jones (In the Valley of Elah)
Viggo Mortensen (Eastern Promises)

BEST SUPPORTING ACTOR
Casey Affleck (The Assassination of Jesse James…)
Javier Bardem (No Country For Old Men) * WILL WIN/SHOULD WIN
Philip Seymour Hoffman (Charlie Wilson’s War)
Hal Holbrook (Into The Wild)
Tom Wilkinson (Michael Clayton)

BEST ACTRESS
Cate Blanchett (Elizabeth: The Golden Age)
Julie Christie (Away From Her) * WILL WIN
Marion Cotillard (La Ve En Rose) * SHOULD WIN
Laura Linney (The Savages)
Ellen Page (Juno)

BEST SUPPORTING ACTRESS
Cate Blanchett (I’m Not There)
Ruby Dee (American Gangster)
Saoirse Ronan (Atonement)
Amy Ryan (Gone Baby Gone) * WILL WIN
Tilda Swinton (Michael Clayton) * SHOULD WIN

BEST ANIMATED FILM
Persepolis * SHOULD WIN
Ratatouille * WILL WIN
Surf’s Up

CINEMATOGRAPHY
The Assassination of Jesse James by the Coward Robert Ford
Atonement *WILL WIN
The Diving Bell and The Butterfly
No Country For Old Men
There Will Be Blood *SHOULD WIN

BEST DIRECTOR
Julian Schnabel (The Diving Bell and The Butterfly)
Jason Reitman (Juno)
Tony Gilroy (Michael Clayton)
Joel & Ethan Coen (No Country For Old Men) * WILL WIN
Paul Thomas Anderson (There Will Be Blood) * SHOULD WIN

ORIGINAL SCORE
Atonement * WILL WIN/SHOULD WIN
The Kite Runner
Michael Clayton
Ratatouille
3:10 to Yuma

ORIGINAL SONG
“Falling Slowly” (Once) * WILL WIN/SHOULD WIN
“Happy Working Song” (Enchanted)
“Raise It Up” (August Rush)
“So Close” (Enchanted)
“That’s How You Know” (Enchanted)

BEST PICTURE
Atonement
Juno
Michael Clayton
No Country For Old Men *WILL WIN
There Will Be Blood * SHOULD WIN

ADAPTED SCREENPLAY
Atonement (Christopher Hampton) *SHOULD WIN
Away From Her (Sarah Polley)
The Diving Bell and The Butterfly (Ronald Harwood)
No Country For Old Men (Joel & Ethan Coen) * WILL WIN
There Will Be Blood (Paul Thomas Anderson)

ORIGINAL SCREENPLAY
Juno (Diablo Cody) * WILL WIN/SHOULD WIN
Lars and the Real Girl (Nancy Oliver)
Michael Clayton (Tony Gilroy)
Ratatouille (Brad Bird)
The Savages (Tamara Jenkins)

So what do you think?

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L.A. For a Day: Grey’s Anatomy/Private Practice Benefit Show


Next week I am to flying down to L.A. for less than 24 hours, to attend a one-night-only pop culture experience. The casts of Grey’s Anatomy and Private Practice are putting on a musical comedy show to benefit the television crews who lost work during the Writers Strike.

Not only will almost all of the cast members from both shows be performing in some capacity, we will be treated to music by Loretta Devine (the Chief’s wife on Grey’s; she was in Dreamgirls on Broadway for years), Audra McDonald (Naomi on Private Practice; 4 Best Actress Tony Awards), and Sara Ramirez (Callie on Grey’s; Best Actress Tony for Spamalot). Click here to hear a snippet of Sara’s amazing voice (she appears at about the 1:10 mark), and here to watch Audra at last year’s Tonys.

Kid + candy store = me.

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Atonement: A Brief Review


Initial opinion:
It was better than I’d anticipated in all categories, except for acting. I was not drawn to or compelled by any of the characters.

Oscar Snub:
I am quite surprised that director Joe Wright did not receive a nomination. He more than deserved it for Atonement, but then again, he was previously ignored for his work behind the camera on Pride & Prejudice.

Overrated Oscar Nod:
Supporting Actress Saoirse Ronan. The young star was memorable, but not Academy Award caliber…especially when compared to others in her category like Cate Blanchett. Ruby Dee (American Gangster) may be this year’s Gloria Stuart (Titanic, the sentimental vote), but I can see the potential for Ronan to sneak the victory a la Anna Paquin (The Piano).

Highlights:

  • The screenplay
  • The beautiful cinematography, including a long and brilliant single-shot war sequence on and around the beach
  • The original score
  • Keira Knightley’s green dress (although she REALLY needs to eat a few sandwiches)
  • The brief yet impactful appearance of Vanessa Redgrave at the end of the film


Do you need to see it in the theater before the Oscars on Sunday? Only if you’re the kind of person that likes to have seen all Best Picture nominees before the trophies are doled out. Otherwise, it will be a great rental. And tell your husbands and boyfriends that it is not a chick flick; a large portion of the movie focuses on a soldier at war.

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Our Funny Valentine: Princess Leia Takes the Stage

Last week, we celebrated Valentine’s Day by immersing ourselves in an evening of pop culture history; we went to see Carrie Fisher’s one-woman show, “Wishful Drinking.”

You don’t have to be a huge Star Wars geek to appreciate Fisher’s presence, narrative and life. She is entertainment royalty, and her experiences growing up in the industry are unparalleled. Fisher’s perspective is genuine and bold; the Hollywood tarts of today probably won’t live long enough to expound upon their multiple rehab stints with such candor and humor.

Carrie Fisher is very engaging and funny, and appropriately self-deprecating.  I soaked in all of her anecdotes like a sponge, and loved every minute of it. If and when her show comes to your town, I highly recommend it.  In the meantime, go read or rent Postcards from the Edge. Talk about a great primer…

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Dear NBC: Please Keep the (Friday Night) Lights On

Dear NBC,

You and I have a tumultuous relationship. I wish I knew how to quit you.

Though we share a love for 30 Rock, I’ve never quite trusted you around The Office.  And even though you renewed your vows with Friday Night Lights for a season, you’re about to sign the divorce papers. Again. As  Heidi Klum might say (on your sister station Bravo, of course), “one minute you’re in, and the next you’re out.”

Do you realize what you’re doing? Are you aware that brand loyalty applies to entire networks and that many of us still believe in appointment television?

You know that look from Coach Taylor, the one
where he grimaces and glares at you with stink eye? You are on the
receiving end of that right now, from thousands of virtual voices and viewers.


I’m sure you know that FNL fans have gone all Jericho on you, and I hope you enjoy the thousands of footballs which will be delivered to your executive offices.

Here are some suggestions, as you ponder canceling the beloved series due to poor ratings even though you’re the one that moved it to Friday nights when no one is home or remembers to set their TiVO:

  1. Visit the official Save Friday Night Lights site and their MySpace page
  2. Allow the show to be purchased by and moved to another network, like ESPN
  3. Don’t end the series with a 2-hour movie; renew it for another season in a better timeslot

With Friday Night Lights, you have one of the most impressive ensemble casts on television and an extremely dedicated fan base. Sound familiar? As you contemplate the future of this show, perhaps you should reflect back to your very smart decision to keep The Office on the air…and take a look at the trophies, accolades and ratings that followed.

Critics and fans alike know that FNL is an annual contender for Best Drama. We also believe that Connie Britton and Kyle Chandler are absolute gems with undeniable chemistry and the most realistic relationship on the small screen; true talents who deserve at least one more season to finally receive their statues for Best Actress and Best Actor in a Drama Series. We know it, and you know it.



My eyes are clear, my heart is full, and I can’t lose this show.

- Jo

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