Atonement: A Brief Review


Initial opinion:
It was better than I’d anticipated in all categories, except for acting. I was not drawn to or compelled by any of the characters.

Oscar Snub:
I am quite surprised that director Joe Wright did not receive a nomination. He more than deserved it for Atonement, but then again, he was previously ignored for his work behind the camera on Pride & Prejudice.

Overrated Oscar Nod:
Supporting Actress Saoirse Ronan. The young star was memorable, but not Academy Award caliber…especially when compared to others in her category like Cate Blanchett. Ruby Dee (American Gangster) may be this year’s Gloria Stuart (Titanic, the sentimental vote), but I can see the potential for Ronan to sneak the victory a la Anna Paquin (The Piano).

Highlights:

  • The screenplay
  • The beautiful cinematography, including a long and brilliant single-shot war sequence on and around the beach
  • The original score
  • Keira Knightley’s green dress (although she REALLY needs to eat a few sandwiches)
  • The brief yet impactful appearance of Vanessa Redgrave at the end of the film


Do you need to see it in the theater before the Oscars on Sunday? Only if you’re the kind of person that likes to have seen all Best Picture nominees before the trophies are doled out. Otherwise, it will be a great rental. And tell your husbands and boyfriends that it is not a chick flick; a large portion of the movie focuses on a soldier at war.

Read More

Our Funny Valentine: Princess Leia Takes the Stage

Last week, we celebrated Valentine’s Day by immersing ourselves in an evening of pop culture history; we went to see Carrie Fisher’s one-woman show, “Wishful Drinking.”

You don’t have to be a huge Star Wars geek to appreciate Fisher’s presence, narrative and life. She is entertainment royalty, and her experiences growing up in the industry are unparalleled. Fisher’s perspective is genuine and bold; the Hollywood tarts of today probably won’t live long enough to expound upon their multiple rehab stints with such candor and humor.

Carrie Fisher is very engaging and funny, and appropriately self-deprecating.  I soaked in all of her anecdotes like a sponge, and loved every minute of it. If and when her show comes to your town, I highly recommend it.  In the meantime, go read or rent Postcards from the Edge. Talk about a great primer…

Read More

Why I Support the Writers Strike


I have supported the Writers Guild of America Strike from Day 1 and will continue to do so until it is resolved on their terms. I support the writers as a film & TV fan standing strong on the sidelines cheering them on as they fight for the compensation that they deserve.

I support them because of Jim, Pam and Dwight Schrute, three people we’ve all either fallen in love or worked with at some point in our lives.

I support them because of Coach Taylor and Tami, the most realistic television couple in recent memory.

I support them because two men spent a summer together in the mountains of Wyoming, fell in love, and forever changed the social landscape of modern film.

I support them because of the Fisher clan, and their delightfully dysfunctional family squabbles at the funeral home. And because that series finale was beautifully written, one of my favorites of all time.

I support them because of Mulder and Scully, without whom my entire pop culture world and outlook would be vastly different, and far less exciting. And, truth be told, without whom I may never have met the love of my life.

I support them because Ray Kinsella built a baseball field on his farm, and because Crash Davis believed in long, slow, deep, soft wet kisses that last three days.

I support them because of Tobias Funke and his never-nude syndrome.

I support them because of Jenny Schecter, the only character on television that I have disliked for 5 consecutive seasons yet continue to watch. I support them because they haven’t caved from years of fan pressure and given up on her.

I support them because a 29-year old woman just received a Best Original Screenplay nomination for her very first film, which she wrote while sitting in a suburban Target.

I support them because of Al Swearengen, who makes Tony Soprano seem like a sweetheart.

I support them because once a week, I crash land on a mysterious island for an hour, and continue to talk about the other survivors for the next six days like they are personal friends.

I support the writers because they are the ones who have created this amazing melange of characters, some of whom I relate to, and some of whom I escape through.

My TiVO may be empty, but my heart remains on the picket line.

Read More

Not Oscar or TiVO-Worthy; CRASH Resurfaces


Ugh. That was my reaction upon hearing that, and it hurts me to say this out loud, the Oscar-winning film Crash is going to be made into a cable television series. It didn’t work on the big screen, and I doubt it will work on the small one.

The
TV show for Starz will be co-written and directed by original
helmer/screenwriter Paul Haggis, and Don Cheadle is the only film
character who has signed up for this version thus far.

To this day, my distaste for Crash and the inexplicable Oscar victory that followed still lingers like garlic on day two. Yuck.

I won’t rehash my feelings about the movie two years later, but I still believe that it didn’t deserve Best Picture. Not that year, not any year. Brokeback Mountain did. Capote did. Good Night, and Good Luck did.

Very few people seem to share my opinion about Crash, and most vehemently disagree. Case in point? The film is the most popular rental on Netflix. It makes me insane.

I stand by my assertion that Brokeback Mountain should have earned the golden statue instead of Crash, and it will go down in history as one of the best motion pictures of all time. Both were controversial and important, but only one was groundbreaking and meaningful.

Let’s open up the floodgates…will you watch the show? Did you love the film? Be honest. I can take it.

Read More

Best Actress/Actor: La Vie En Rose & There Will Be Blood


Last night we watched La Vie En Rose, and I understood immediately why Marion Cotillard was nominated for Best Actress. The film itself is uneven and a tad boring, but Cotillard’s physical transformation into legendary French singer Edith Piaf is stunning. Piaf’s life was short and tragic, and Cotillard’s portrayal of the troubled star is phenomenal.

The only other Best Actress nominee that I’ve seen is Ellen Page, and as much as I just love her and Juno, the statuette belongs to Cotillard.

This afternoon we saw There Will Be Blood, and it only furthered my belief that Daniel Day-Lewis is quite possibly the most talented actor of his generation or mine. This is quite a movie, an epic, a potential classic; dark, desolate and dusty but very compelling. I am both baffled and very impressed that Paul Thomas Anderson directed Boogie Nights and Magnolia before this saga, not to mention the disaster that was Punch Drunk Love.

In the Best Actor category, Viggo was just okay, Clooney was good, and I’m sure that Depp and Tommy Lee Jones were both great as well, but Day-Lewis was absolutely mesmerizing and should be the clear winner.

Next up, No Country For Old Men at the theater and Away From Her on DVD.

Read More

What’s In a Name? Bond & Indiana Jones Don’t Smell as Sweet


Quantum of Solace. That is the title of the next 007 film. I liked it better when it was simply Bond 22. I’m sure the film will kick ass, much like Casino Royale did. So I suppose a questionably lame title will suffice.

And then there is Indiana Jones and the Kingdom of the Crystal Skull. Need I say more? See for yourselves.

Then again, I remember the hoopla and ridicule when two of the ‘new’ Star Wars sequels were named The Phantom Menace and Attack of the Clones. Silly titles certainly had no effect on their record-breaking grosses.

I’m sure that both the new Indy and the new Bond films will also rake it in this year, and I admit that I will be among the masses clamoring for tickets to both when they open.

Read More