FAVORITE FILMS? RECOMMEND ONE TO WIN ONE…


I have seen a fair number of movies in my lifetime, primarily from the late 1970′s to the present.

But I need your help…

I am having minor surgery in December and will have at least a week at home during recovery. Of course I will spend most of that time sleeping and watching DVDs. I am seeking recommendations from YOUR favorite films of all time, from any genre or year. You can check to see if I’ve already seen your choice(s) here.

If I watch a movie that you suggest and I absolutely love it, I will buy you that film or another DVD of your choice.

Here are the caveats:

  1. Your recommendation(s) must be currently available on DVD
  2. You must list your suggestions as a comment
  3. All submissions must be posted by 12/1/07
  4. Only one person will win
  5. The winner may choose a DVD with a retail value of $30 or less

So bring it on, people. Whether it be an obscure indie or testosterone-laden blockbuster, I’m game if I haven’t seen it yet.

Sound good?

Thank you in advance for playing.

Read More

LEGAL EAGLE: CLOONEY AS CLAYTON


Please excuse the discombobulated nature of this
review. Though I won’t go so far as to label it half-ass, my heart and focus is
down in Southern California, and my usual delight in the trivial has lost its
luster for the time being…



I used to watch ER,
but more for Nurse Hathaway (Julianna Margulies) than Dr. Doug (George Clooney).
 My first real introduction to Clooney
was on The Facts of Life, when he sported that lovely mullet. I was instantly
drawn to his charisma, though I honestly never pictured him as the
old-fashioned movie star that he has become.



I am amused by the journalists who are obsessed with Clooney’s box office bankability. The man has risen far above his reign
as People’s Sexiest Man of the Year.  Yes,
he’s pretty. And yes, those Ocean’s
movies are entertaining man candy, but I don’t think that Clooney receives the
respect he has earned. The man won a Best Supporting Oscar (Syriana), for crying out loud. Out of Sight and Three Kings were damn good too. And his work behind the camera is also quite
impressive; Confessions of a Dangerous
Mind
and Good Night, and Good Luck
are very good films.



Look, I’m not saying that all Clooney films have been
golden. I did sit through Solaris and The Peacemaker. As much as he was critically panned for those
and his stint as Batman, I admit to
being drawn to a film when his name is attached.  And frankly, I don’t care who Clooney dates or
where he lives. While most admire him for his looks, I am far more interested
in his body…of work.



With that, I am happy to report that Michael Clayton is actually a great
film. This corporate/legal drama features fantastic performances by an all-star
cast and more than enough unexpected plot twists to keep your attention for two
hours. Screenwriter Tony Gilroy makes an impressive directorial debut. He is
quite familiar with and successful at creating a palatable onscreen intensity; he
penned the suspenseful Dolores Claiborne
and all 3 Bourne films.



Tilda Swinton should have been nominated for Best
Actress back in 1992 for Orlando. She
certainly deserves a Best Supporting Actress nod this year for her role in Michael Clayton.



Although British actor Tom Wilkinson entered the
American filmgoer consciousness in The
Full Monty
, he had been acting for twenty years prior (I first enjoyed him
as Mr. Dashwood in 1995’s Sense and
Sensibility
).  Of course he went on
to earn a Best Actor nomination for In
the Bedroom
, but I highly recommend that you rent Normal, which I consider to be his best work yet.  And I wouldn’t be surprised to see him up for
Best Supporting Actor for his memorable role in Michael Clayton.



This movie reminded me that Sydney Pollack should spend more time
in front of the camera. As much as I love the films that he has directed (Absence of Malice, Tootsie), I really like him as an actor as well.



Denis O’Hare has perfected the character actor genre.
While he is quite capable of being a lead and some may scoff at such an assessment,
I intend it as a compliment. And he has added another small yet pivotal role to
his collection in Michael Clayton. Of
course my favorite O’Hare appearance was as Albert the Ark Man in Garden State. I am also enjoying his
clash with Calista Flockhart on Brothers
and Sisters
. O’Hare is actually a Tony-award winning Broadway man (Take Me Out).



Michael
Clayton
is what I would call an intelligent thriller. Though
some may prefer to watch this kind of film at home, I believe it is worth a
trip to the theater.

 

Read More

THROUGH HIS LOOKING GLASS: GET LOST WITH J.J. ABRAMS


When
I see the name J.J. Abrams attached to any television or film project, I am on
board immediately. Very few creative minds in the industry inspire such blind
faith, but to me, his track record speaks volumes.


 


Although
Abrams only entered my personal entertainment radar with Felicity, his career really took off in the early 90’s. Though many
know him as the mastermind behind Lost,
he has had an interesting and impressive ride to the top. Let’s take a look…


 


1990: Co-wrote the film
Taking Care of Business, a Jim
Belushi/Charles Grodin comedy


 


1991: Wrote &
co-produced the film Regarding Henry,
the Harrison Ford/Annette Bening drama (Abrams appeared in the movie as a
delivery boy)


 


1992: Wrote & produced
the film Forever Young, the Mel
Gibson drama


 


1993: Had a small role
in the film Six Degrees of Separation,
the Will Smith drama


 


1996: Had a small role
in the film Diabolique, the Sharon
Stone thriller


 


1996: Produced the film
The Pallbearer, the David
Schwimmer/Gwyneth Paltrow comedy written by Felicity
writer Matt Reeves and Bionic Woman/Friday Night Lights writer Jason Katims


 


1997: Co-wrote the film
Gone Fishin’, the Danny Glover/Joe
Pesci comedy


 


1998: Co-wrote the film
Armageddon, the Bruce Willis/Ben
Affleck drama


 


1998 – 2002: Created & wrote
the television series Felicity (Abrams
also composed the main theme song)


 


1999: Produced the film
The Suburbans, a little-seen Jennifer
Love Hewitt comedy co-starring Will Ferrell


 


2001 – 2006: Created, wrote
& produced the television series Alias
(Abrams also composed the main theme song)


 


2001: Received an Emmy
nomination for writing the pilot episode of Alias


 


2001: Formed the
production company Bad Robot


 


2001: Wrote &
produced the film Joy Ride, the Paul
Walker thriller


 


2001- 2004: Wrote screenplay
for revamped Superman, was in
contention to direct; Superman Returns
debuted in 2006 with Bryan Singer at the helm and a script by Michael Dougherty
and Dan Harris


 


2004: Developed sitcom
with ex-SNL star Cheri Oteri; not
sure what ever happened to this


 


2004 – Present: Co-creator,
executive producer & writer on the television series Lost


 


2005: Created, wrote
& produced the television series The
Catch
, a pilot that was not picked up starring Abrams’ go-to guy
(Felicity, Alias, Lost) Greg
Grunberg from Heroes


 


2005: Won two Emmys, one
for Outstanding Drama Series and one for directing the pilot episode (Lost)


 


2005 & 2006: Won ASCAP Film
and Television Awards (for Lost, along
with composer Michael Giacchino)


 


2006: Won Television
Producer of the Year at the Producers Guild Awards (Lost)


 


2006: Won a Writers Guild
of America award for Dramatic Series (Lost)

2006: Directed an episode of the talk show Jimmy Kimmel Live
 


2006: Directed & wrote
the film Mission: Impossible III, the
third installment of the Tom Cruise franchise (Abrams also composed 2 songs for
the soundtrack)


 


2006: Inked 6-year deal
between Bad Robot and Warner Bros. TV


 


2006: Inked 5-year deal
with Paramount Pictures


 


2006: Produced the
television series What About Brian, the
Barry Watson drama


 


2006: Produced the
television series Six Degrees, the Campbell
Scott/Hope Davis drama


 


2006: Co-wrote an
episode of the animated television show Avatar:
The Last Airbender


 


2007: Directed an
episode of the television show The Office


 


2007: Currently
directing & producing an untitled new series for HBO about the lives of
cancer patients


 


2008: Producing the
film Cloverfield (a.k.a. 1-18-08 or the Untitled J.J. Abrams Project), the sci-fi thriller with a LOT of buzz, written by Drew Goddard (Lost) and directed by Matt Reeves (Felicity)


 


2008: Directing &
producing the new Star Trek film,
with a screenplay by Felicity vets
Alex Kurtzman and Robert Orci (who are apparently slated to write the sequel to
Transformers)


 


2008: Will produce &
write Fringe, a new sci-fi
television series for FOX that sounds like a cross between Alias & The X-Files


 


2008: Will produce Boundaries, a new television comedy
series for ABC written by Six Feet Under
alum Jill Soloway


 


2009: Will direct &
produce the film currently labeled the Untitled
Hunter Scott Project
, with a script by Oscar-nominated screenwriter Robert Nelson
Jacobs (Chocolat)


 


Future projects/dates
unknown
:

  • Will be producing
    the film Morning Glory, directed by
    Roger Michell (Notting Hill) and written
    by The Devil Wears Prada scribe Aline
    Brosh McKenna

  • Will be producing
    the film Voices, directed by Joy Ride writer Clay Tarver

  • Will be producing
    an untitled film by writer/director Josh Marston (Maria Full of Grace)

 


Hey
fan boys and girls, am I missing anything? I did my homework but let me know if
any of the above dates or facts are incorrect.

So, what is your favorite Abrams production?

Read More

THE 1st ANNUAL T.O.P.s (TRAILER OSCAR PREDICTIONS)


Before I get started, file this under: BAD IDEA. Will Smith is going to direct a remake of The Karate Kid. But wait, it gets worse. His son Jaden will fill Ralph Macchio’s shoes and Jackie Chan will play Mr. Miyagi. Um…how about NO. I like Smith but I wasn’t as impressed with The Pursuit of Happyness as most, and this just seems like a poor choice. That being said, it will probably gross $100 million.

And now, on to the real post.

Let’s be honest, not many Academy Award-caliber films have been released this year thus far. That is about to change. And I love watching movie trailers, both in theaters and online at home. So I decided to create the TOPs, my first attempt at Trailer Oscar Predictions.

I’ve only seen a few films on this list (they are noted with an asterisk); the rest are truly just based on my opinion about what I catch glimpse of in those two minute previews. I take casting, script, and direction into consideration in that short period of time.

I do admit to cheating when it comes to one film: the trailer for Charlie Wilson’s War has not been released yet, but based on the cast and production photos alone, I’m taking a leap of faith. I am also including one black horse candidate/wishful thinking choice (Keri Russell).

So here are my early October predictions in the major categories for the 2008 Academy Awards:

BEST ACTOR

  • Javier Bardem (No Country for Old Men)
  • John Cusack (Grace is Gone)
  • Daniel Day Lewis (There Will Be Blood)
  • Johnny Depp (Sweeney Todd)

  • Viggo Mortensen (Eastern Promises) *


BEST SUPPORTING ACTOR

  • Ed Harris (Gone Baby Gone)
  • Alan Rickman (Sweeney Todd)
  • Mark Ruffalo (Reservation Road)
  • Denzel Washington (American Gangster)
  • Tom Wilkinson (Michael Clayton)


BEST ACTRESS

  • Cate Blanchett (Elizabeth: The Golden Age)
  • Angelina Jolie (A Mighty Heart)
  • Keira Knightley (Atonement)
  • Laura Linney (The Savages)
  • Keri Russell (Waitress) *


BEST SUPPORTING ACTRESS

  • Cate Blanchett (I’m Not There)
  • Vanessa Redgrave (Atonement)
  • Meryl Streep (Lions for Lambs)
  • Tilda Swinton (Michael Clayton)
  • Rachel Weisz (My Blueberry Nights)


BEST DIRECTOR

  • Ethan & Joel Coen (No Country for Old Men)
  • Marc Forster (The Kite Runner)
  • Mike Nichols (Charlie Wilson’s War)
  • Sean Penn (Into the Wild)
  • Ridley Scott (American Gangster)


BEST PICTURE

  • American Gangster
  • Atonement
  • Charlie Wilson’s War
  • Into the Wild
  • The Kite Runner


BEST ADAPTED SCREENPLAY

  • Charlie Wilson’s War (Aaron Sorkin)

  • Gone Baby Gone (Ben Affleck)

  • Into the Wild (Sean Penn)
  • The Kite Runner (David Benioff)

  • No Country for Old Men (Ethan & Joel Coen)


BEST ORIGINAL SCREENPLAY

  • American Gangster (Steven Zaillian & Mark Jacobson) [not sure this qualifies as Original; based on article, not novel]
  • Eastern Promises (Steven Knight) *
  • Knocked Up (Judd Apatow) *
  • Lions for Lambs (Matthew Michael Carnahan)
  • Once (John Carney) * [not sure this film will qualify for '07 Oscar consideration; it played at film festivals in '06]


Anyone else care to make a few guesses or strongly disagree with anything based on trailers you’ve seen?

Read More

RAINY DAY RENTAL: JANE AUSTEN BOOK CLUB


  • Buffy the Vampire Slayer
  • ER
  • Judging Amy
  • Lost
  • NYPD Blue
  • Picket Fences

What do these have in common? The primary cast of the film Jane Austen Book Club is comprised of television veterans from those beloved shows. In order from above: Marc Blucas, Maria Bello, Amy Brenneman, Maggie Grace, Jimmy Smits and Kathy Baker. The other two leads are British imports Hugh Dancy and Emily Blunt (almost unrecognizable with a brunette bob wig and miles from her scene-stealing performance in The Devil Wears Prada).

Jane Austen Book Club writer/director Robin Swicord is no stranger to literary adaptations; she also penned the screenplays for Memoirs of a Geisha and Little Women. Even though I have read almost all of Jane Austen’s work (I majored in English and studied in London for a semester; it was required reading and I loved it), I just don’t think that the material from Karen Joy Fowler’s original novel was strong enough to sustain a full-length feature. This film would have been much better suited as a television series or made-for-TV movie.

Brief but true. It wasn’t very inspiring. The end.

Read More

HOLDING OUT FOR MY HEROES TIL THE END OF THE NIGHT


Like every other geeky TV fan, I am very excited for the Season 2 premiere of Heroes tonight. I have two choices – watch it live and suffer through the commercials, or TiVo it and watch later tonight. Tough call for favorite shows.

I have never owned a comic book. But my inner sci-fi soul loves a superhero. And the only movie franchise that continues to disappoint is Spider-Man. Actually, that is putting it mildly. I recently sat through Spider-Man 3, and it was shockingly awful. I was laughing out loud, and the movie isn’t funny at all. I’ve never witnessed two lead actors with less chemistry, and Maguire and Dunst should be embarrassed by their performances (regardless of the obscene paychecks). It’s no secret that they do NOT like each other offscreen, and the tension between them in the film is both painfully obvious and uncomfortable.  And yes, I realize that writer/director Sam Raimi is the king of intermingling camp with the dark side (see: The Evil Dead, Army of Darkness), but the screenplay for Spider-Man 3 was horrible. Watching Maguire dance was excruciating and soared far beyond jumping the shark. And for the love of orthodontics, someone needs to direct Dunst to a dentist, stat. I’ve said it before and I’ll say it again – visibly wayward teeth are not charming in hi-def, and she can afford it.

Read More